41/52

Happy Thanksgiving everyone! Here is what I listed to this past week, there were a lot of samples, one off songs and such that didn’t make the list, here is the good stuff that did.

Our Noise – Our Noise

I was introduced to this album by my friend Daniel Jones at Mystic Sons PR. Can I call you my friend Daniel? We only know each other through the internet portals. Regardless, I have listened to this album over and over. And again and again. It is playing as I write this, with a bit of volume, which seems fitting for the music of Our Noise.

I’ve had a hell of a time writing something about Our Noise, both the album and the band. Inspiration just hasn’t hit me. I like the album, so that’s not the problem. It has smart music and lyrics; that’s not the problem. The problem is me getting an angle to hang this album on.

Let’s start with some basic facts about Our Noise.

  1. They are a power trio.
  2. They are from Toronto.
  3. They are Lucy Di Santo on bass and vocals, Dan Cornelius on drums and Steve Fall on guitar.
  4. I can’t put them in a nice, neat genre box.

They have elements of pop, punk, grunge, rock and even bits of metal. Mix that all together, and what we come up with is the album Our Noise.

The album starts with the hard-rocking track Break You. That sounds like a revenge plot. I’m going to break you!

Track two comes out of the gates at a full charge. The grinding solo guitar sets the stage for lyrics about pressing on despite the odds and the difficulty. Tracks three and four continue the hard, edgier sounds. Track five, Hereafter shifts gear to a more pop, radio-friendly sound. Track six is F.L.A., which starts with some nice bass lines and then moves on with a guitar sound I like. I’m curious what effect pedals were used. F.L.A. is a more complex track musically. Lyrically, I think it is about being on the road and looking forward to a place to park for a while.

Seven, Soul Killer, takes us back to grunge guitar land and lyrics to match. Take a Shot is track 8, played at a blistering pace; it throws out a challenge to take a shot at me. Next to last is the song Try, a more melodic track with introspective lyrics. The album ends with the song Amends; it starts with some nice acoustic guitar that shifts to a pop-rock sound as it moves along. More pain was on the closer track, Amends, but I was ready to try again.

There we have it, a mini-review of what is, in my opinion, a decent album. It certainly held my attention for a long time and many plays.

http://www.mysticsons.com

D I S C O V E R:

onmusic.ca

www.theonstore.com

www.facebook.com/onband.ca

www.instagram.com/ournoisemusic

twitter.com/ournoisemusic

www.youtube.com/@ournoisemusic

Next in line is King Crimson, and this will be a marathon. I have ten of their albums and may have more by the end of this blog. I have more on CD, but I will save that for another day, focusing on vinyl for now.

King Crimson – In The Court Of The Crimson King

Today, October 10, is the 55th anniversary of the release of In The Court Of The Crimson King. The album has taken on an almost mythical status in the world of music. I got on the bandwagon early, sometime in either 1970 or 1971. I heard the album playing in a record store in Montreal, and when I asked the staff who was making that music, he showed me the album. Seeing the cover sealed the deal, I took it home with me. I still love it. In The Court Of The Crimson King/(An Observation By King Crimson) is a deserted island album for me.

I had considered doing a full review of each King Crimson release as I went through their releases alphabetically. I quickly dispelled that consideration before the mere thought of that load bent me like Atlas carrying the heavens on his shoulders. I played this album through, start to stop, four or five times as I contemplated the movements of the music and the meaning of the lyrics. I tossed all that, and I ended up enjoying the album for the sheer joy of hearing the music, nothing else, just enjoying some outstanding music—the end. Well, not really; it is on to the next King Crimson release, In The Wake Of Poseidon.

L.S.U. – Dogfish Jones

The world lost a great musician on March 12, 2024, Michael Knott. L.S.U. was one of his projects, and Dogfish Jones was the last release under that nom de plume. While the music of Michael Knott was often jarring to some and confusing to others, he had a fan base and was respected in the circles of life he swirled about in. He released over 30 albums that took his music in many different directions, but never losing the essence of Michael Knott. 

“Originally released on Light Records in 1998, Dogfish Jones is the result of musical genius and cult legend Michael Knott. Enlisting the help of such notables as Chuck Cummings and Gene Eugene, Knott’s last LSU release continues to push the boundaries of creativity in alternative rock. With Dogfish Jones, Knott creates a masterpiece by taking the dark, psychedelic, post-punk feel of David Bowie and meshing it with the aggressiveness of Jane’s Addiction. It was an album ahead of its time in 1998. Hopefully, this many years later, this classic heavy album can be appreciated for it’s musical brilliance.″ -Retroactive Records

King Crimson – In The Wake Of Poseidon

I only listened to this once yesterday, so I will have to fire up the record spinny thingy and hear it again.

It’s Thanksgiving Day in Canada, my home, so here is a song that pays tribute (mentions in passing?) to Thanksgiving Day.
https://www.youtube.com/watch?v=m57gzA2JCcM

40/52

40/52; we have passed the equinox and are on a downhill toboggan ride to winter, my least favourite season. “I think Jamaica in the moonlight.” An American Dream can also be a Canadian Dream. We are considering a return to the island, hopefully soon. In the meantime, the Canadian Finals Rodeo finished yesterday, and I am in a cowboy frame of mind, so put your Stetson on and join the rodeo.

JC Miller – Blackberry Canes

A tip of the Stetson to Shauna at Shameless Promotion PR for introducing me to this album. JC Miller has a good voice. I’m thinking/hearing early Springsteen gone Country. He has crafted an album here with a rich, lush sound. The steel guitar, the dobro, and the classic C/W feel to the album are all there. My only complaint is that the story and the country/western ethos get lost in that rich, lush sound and move closer to Americana than C/W. That doesn’t take away from the overall appeal of Blackberry Canes. Blackberry Canes is still a solid album that stands on its own, no matter which genre I try to press it into.

“The song ‘Blackberry Canes’ came about from thinking about the rambling, ramshackle path of growth sometimes. It’s not always a pretty pattern but it gets the job done, always reaching and somehow surviving… Blackberry trunks go sideways and every which way and travel a roundabout trail, never a straight line. It is a small passing thought really but it serves to remind us that you have to keep moving forward no matter what into the unknown just to grab the next beam of light,” says JC Miller.

I love eating blackberries, but the vines are painful. They are full of sharp spikes that could have woven an excellent crown of thorns for a certain somebody. I like the imagery that JC has weaved into the song Blackberry Canes. Life is not always pretty, but it is worth chasing, even when it comes to a blackberry grove.

‘Blackberry Canes’ video  https://youtu.be/3MNzMGf7IaI

Get the ‘Blackberry Canes’ single  https://bit.ly/3zac4tj

Apple Music  https://music.apple.com/us/album/blackberry-canes-single/1765673804   

Spotify  https://open.spotify.com/artist/0ySKSk7jQdclpGEUydQWXF

‘Tombstone Junction’  https://youtu.be/Q4vCqKZvkPU

‘Dead Horse Ranch’  https://youtu.be/lP5OqGNUZe8

‘Sundown Slim’  https://youtu.be/8r59SsGHx9M

‘Wayward Son’  https://youtu.be/0tCyhKv90LY

‘Before Nightfall’  https://youtu.be/Rnw87NgpNs8

Kris Kristofferson passed away last week, prompting me to listen to some of his albums. His early releases were my favourites, and I think they will still be good in another 20 years.

Kris Kristofferson – Collections

Collections is a terrible waste of a perfectly good CD. It sounds like it is pulled off a vinyl using a microphone, and it has more pops and crackles than any of the vinyl recordings that I have of Kristofferson, and some have been to rough and rowdy parties. See below for the details.

Kris Kristofferson – Jesus Was A Capricorn

Jesus Was A Capricorn is a great album, according to WeatheredMusic.ca. It is full of great songs, such as the title track, Jesus Was A Capricorn, which the liner notes tell us that Kristofferson owed to John Prine, another great songwriter and performer Jesse Younger and Why Me, are songs that stand strong 52 years after they were recorded. It’s a delightful recording.

Kris Kristofferson – The Silver Tongued Devil And I

I can’t cherry-pick any songs off this album to tell you how good this recording is. It is one great song after another. It contains one of his biggest hits, Lovin’ Her Was Easier (Than Anything I’ll Ever Do Again). It was a hit for Kristofferson and a hit recording for Roger Miller in the same year, 1971. Tompall & the Glaser Brothers took Lovin’ Her Was Easier (Than Anything I’ll Ever Do Again) to the charts in 1981. This song has a truckload of recordings by other artists, some better than others.

Other versions

  • Waylon Jennings recorded the song for his 1971 album The Taker / Tulsa.
  • Billie Jo Spears recorded the song as “Loving Him Was Easier (than anything I’ll ever do again)” in 1977 for her album If You Want Me.
  • Nana Mouskouri recorded the song as “Loving Him Was Easier” in 1982 for her album Song for Liberty.
  • Willie Nelson and Dyan Cannon recorded the song as “Loving Her Was Easier (Than Anything I’ll Ever Do Again)” for the film Honeysuckle Rose.
  • Anita Carter with Billy Sanford (gt) Recorded 29 January 1971
  • Skeeter Davis with Vocal Accompaniment by The Jordanaires and The Nashville Edition, 1972.
  • Billy Ray Cyrus recorded the song for his 2016 album Thin Line.
  • The Highwaymen performed the song during their American Outlaws tour in 1990; the song′s featured on their compilation album Live: American Outlaws (2016).
  • All of these add up to the royalty pennies; that is why he was able to retire to Hawaii.

Phil Keaggy – Private Collection Vol. 1

This album shows us some of his guitar skills. I enjoyed Private Collection Vol. 1 the best of the vinyl I have with his name on it. I have two CDs and 8 Cassettes that I will have to get around to playing one of these days. Perhaps when I have listened to all of the Zolas records, I will venture into the cassette realm. I hesitated to do that because there have been fewer cassettes in Discogs, and I don’t enjoy putting them in manually. On second thought, I will do CDs after the vinyl—cassettes after that, and then 8 tracks, reel to reel, and lastly, wire recordings.

Wilfred N and the Grown Men – Passing Through

I have other recordings by Wilfred N and the Grown Men (henceforth known as WN&tGM), and since I am always on the lookout for more material from them, I was pleased to acquire this CD from a gentleman through Kijiji. This CD has been sitting in my car for a week, and after listening to it umpteen times, I can confidently say that this is my new favourite by WN&tGM. His voice evoked memories of David Bryne, and the music at times felt influenced by The Talking Heads. It was not a blatant ripoff. It was a compliment to The Talking Heads by using their music as a springboard to something new. I’ll let this sit on the shelf and see how well it holds up to a second listen sometime down the road. I hope it will be as good as the first listen because that was favourable.

The Klaxxons – Clap Clap Sound!

And now for something completely different. I was unable to find any information about The Klaxxons. I know they are an accordion band and play music that I associate with the town of Smoky Lake, Alberta, and the Ukrainian heritage of that town. Playing this album has been an enjoyable diversion.

Doug Kershaw – Alive & Pickin’

While it seemed that Kershaw had appeared out of nowhere in the outlaw county music of the 1970s, he had, in fact, already sold millions of copies of the records he had made in the early ’60s with his brother, Rusty. “Louisiana Man” had been a Top 10 country hit in 1961, and its follow-up, “Diggy Liggy Lo,” had done almost as well.

Alive & Pickin’ gives us a quick overview of his music from the time with his brother in the early ’60s to the release of this live album in 1975. He plays cajun music with a backing band that perfectly fits Kershaw’s voice, fiddle playing, and choice of songs. I don’t generally listen to Cajun music, so Doug Kershaw fills that gap in my music catalogue, and it is an enjoyable diversion.

Doug Kershaw – The Best of Doug Kershaw The Louisiana Man

This record is almost a song-for-song copy of the Alive & Pickin’ album. The main difference is that one is live, and the other is studio recordings. The live version has flourishes that the studio album lacks, but the studio album has a cleaner sound. Take your pick; they are both excellent records.

Ezra Collective – Dance, No One’s Watching

I have listened to the music of Ezra Collective for a good bit now. Dance, No One’s Watching is only their third album and is just as good as their first two. An interesting side note is that I do not have any of their recordings on physical material. I’ll have to look at the jazz section at https://www.recordcollectorsparadise.ca on Wednesday.

An Ezra Collective or King Crimson will leave the store with me if we have either one in stock, which is a pretty high chance, knowing how deep their catalogue is.

Speaking of King Crimson, I will begin my journey through their catalogue this week. I pulled the albums, all 12, and I still need two of their albums on vinyl. I must remedy that situation since they are one of my deserted island bands. After I have listened to them chronologically, I will post my thoughts regarding their recordings. The photo below was taken in the London Royal Albert Hall in 2019, King Crimson put on an amazing concert.

In the meantime, happy listening my friends and remember that there is no bad music, just some that is better than others.

39/52

Ladies and gentlemen, I hereby present to you my listening fixes from the past week. Explosions In The Sky was a highlight live, and The Armoires had the most spins. Check them out, you may just find it as entertaining and enjoyable as I did.

Explosions In The Sky – Live at Midway

We have every album EITS (Explosions In The Sky) released, so we were excited to hear them live. They did not disappoint us. The show was excellent in every way. The venue was a good choice for them; it was not so large that they were playing in a half-empty room and not so small that we were packed like sardines in a tin. We had a good view straight in line with the middle of the stage and on the rail overlooking the standing-room floor. The volume was perfect; so many shows have the volume cranked to a level that must damage the speakers and have way too much bass. EITS had none of that. The stage lights were great as well. They didn’t use the front-of-stage lights; they are an instrumental band, so they don’t need to highlight the lead vocalist. Most of their music is collaborative, so there is no need to spotlight the soloist because they don’t usually have one. Their performance style, which is a testament to their collaborative nature, was a sight to behold. They employed plenty of back-of-house lighting to create a similar effect to shadow puppets.

The music, ah, yes, the music, it kept me enthralled for the entire show. EITS is a five-man band: a drummer, a keyboard player who also plays guitar, both bass and six-string, two electric guitar players and a bass/six-string player who often swaps guitars mid-song. They had moments when the music exploded from the stage to engulf us. EITS are experts at building tension in the music that gradually rises until the stage can’t hold it any longer, and it washes over us in a tsunami of sound.

Having Joel treat me to this concert as a gift for my seventieth birthday was beautiful. What a grand way to celebrate starting a new decade. Thank you, Joel.

Bob Dylan – Highway 61 Revisited

This album is a frequent spinner on my turntable. It is not my favourite Dylan album; that title belongs to Desire, but Highway 61 Revisited is still a good album.

 The Armoires – Octoberland

Big Stir Records

THE ARMOIRES – the Burbank, California-based band led by Christina Bulbenko (vocals, keys) and Rex Broome (vocals, guitar), also known as the founders of Big Stir Records – have exuded equal parts brash confidence and sophisticated mystery. There’s been the swirling psych-pop manifesto “We Absolutely Mean It,” the sweetly comforting “Music & Animals,” the dramatic strings-driven “Here Comes The Song,” and, up next, the giddy postpunk pulsebeat of “Ridley & Me After The Apocalypse.” All of them display the band revelling in their unique sound: the ambiguously androgynous harmonies of Broome and Bulbenko, the intricate instrumental interplay between Larysa Bulbenko’s endlessly versatile viola and the electric 12-strings, sweeping synths and delicate piano of the band leaders, and the unerringly empathetic rhythms of John M. Borack (drums) and Clifford Ulrich (bass).

Octoberland is easy to listen to, but I would not call it easy listening. It is playful but not childish. It is profound but not abysmal. It is joyous without being mawkish. It is sweet without being syrupy. In my own words, it is a damn good album.

Various – Cheapskates Vol. 4

This is not a good road trip listener. It does have some good tunes, just not enough for the road noise.

Various – At the Foot of the Cross

Valerie liked this one a lot. I used to like it a lot, but that has slipped, and I’m just liking it now. It is high quality in every aspect; if you are into Christian music, this should be on your playlist.

Various – Country Greats

It is a mixed bag of county and Western music, mainly from the sixties. This recording has no flow, and even the mix level is crazy. One song was so low we had to turn the volume up, and the next one blared at us to turn the volume down. The bass was too heavy on some songs, and the vocals were buried in the mix of instruments on other tracks. The songs didn’t have a chronological flow or have like-minded songs grouped.

They had a version of Jambalaya by George Jones, a good recording artist, no doubt, but this song belongs to Hank Williams. Daddy Sang Bass was by Carl Perkins on this CD, and it should be Johnny Cash. The list goes on. There are too many errors accumulated in these three CDs for an enjoyable listen; there are some great songs on here, but not enough, and not enough by the right artists or in the correct place on the tracklist.

An interesting twist on this album is the Queen of Soul, Tina Turner, singing three songs taken from her C/W album Good Hearted Woman. This isn’t her first C/W album either; Ike Turner had her record the album Tina Turns the Country On! in an attempt to expose her to a wider audience. I actually like her take on these songs; they are probably my favourite songs on a sketchy album.

The Moody Blues – Greatest Hits

I’m not a big fan of The Moody Blues, but I appreciate their music in general and a few songs in particular. Tuesday Afternoon, Nights In White Satin, & I’m Just A Singer (In A Rock And Roll Band) are all three good tunes; I remember them from being big hits on the radio way back when. Once upon a time, I had these on vinyl. Now I just have this on CD.

Phil Keaggy – Play Thru Me

Continuing my trip thru the alphabet we are still in K, and Phil Keaggy, who we started listening to last week. Play Thru Me is another good example of his guitar playing. This album has excellent notes on the inner sleeve that tell us which guitars he played on each song and a bit of history on how he wrote them. I wish more albums had inner sleeves this good; thanks, Phil.

38/52

This is my playlist for this week. It is heavy with Phil Keaggy. He has often been cited as one of the best guitar players out there. These albums do not bolster those claims. These are straight-up Christian praise and worship albums. 

Days of Flower Power. Tiny Tim. ‘Nuff said.

The album Alternative Worship is a collaboration of other top-notch Christian artists, but it is not your typical church hymns. It is an album that showcases the talents of three of my favourite artists, Christian or otherwise. It is just plain enjoyable for me as I listen to it. It also has the distinction of being in my collection in three different formats: cassette, CD and vinyl. Yeah, I like it. I got a few new records with the money I got as a birthday present. Alternative Worship was a birthday gift, along with John Lennon and Bob Dylan, CSN&Y Live at the Filmore in the mail. 

Dylan and Lennon are artists that I have enjoyed listening to forever. New Morning is not Dylan’s strongest album, but it is still Dlyan. New Morning was released shortly after Self Portrait, which critics have beaten near to death. But I did not beat it; I liked it and can now enjoy it on vinyl.

John Lennon Plastic Ono Band is a long overdue replacement. This is another album that didn’t get much praise when it was released but has worked its way up since then. I still enjoy listening to it. As an afternote, it has a good cast of players, but no Paul.

Phil Keaggy – Love Broke Thru

Gene Eugene • Michael Knott • Terry Taylor – Alternative Worship (Prayer, Petitions and Praise)

Phil Keaggy – Ph’lip Side

Phil Keaggy – Town To Town

Various – Days of Flower Power

1.86.0-CL353W4S2AZASLGKXLDUPIS4LU.0.1-9

Phil Keaggy – Town to Town

Bob Dylan – New Morning

John Lennon – Plastic Ono Band

37/52

Another week has passed by, and another selection of great music. This week is highlighted by a pair of Kansas songs and a new release from David Gilmour.

Mark Bacino – Top of the World

Joy Division – Closer

Kurt Kaiser – Master Designer

David Gilmour – Luck and Strange

Kansas – Song For America

Kansas -Point of Know Return

————————————

Mark Bacino – Top of the World

This is a new record, and I’m still looking for something to jump out of it and inspire me. Other than my wall of writer’s block, there is nothing terrible about this recording. I’ll listen to it again.

I listened to it again.

Mark Bacino goes for several more spins around the digital turntable, and I am still waiting for inspiration to hit me. I like his new album, Top of the World, but have not been hit with a deep insight to write about it. I think it is good music, and it has intelligent lyrics. I lost the lyric sheet. Fortunately, Mark has a good voice, and his vocals do not get drowned out in a sea of overloaded instruments.

I listened to it yet again.

The first time I heard this, I thought Marks’s voice sounded like someone else; it turned out to be Harry Nillson. I don’t feel that Mark is trying to be a protege of Harry. I do get the feeling that it is a pair of New Yorkers making good music. Going in their own directions. Regardless, I think Mark Bacino has delivered a clever pop album, and I hope he sees my comparison to Harry Nillson as a compliment because I have enjoyed Nillson Schmillson for more years than I want to admit to, it turns out to be 53 years, and I feel Top of the World is stepping in that direction .

There are several stand-out tracks on Top of the World. The snappy opener, “Kaylee Hughes,” is a toe-tapping song that gives a great introduction to the album. “Why Does This Woman Love Me” is an honest question for me to ask. I wonder how my wife loves me? “I Like Wearing Clothes” is a humourous romp and another toe-tapper.

“How The Story Ends” is the track that most resembles Harry Nillson in my head. It is an excellent song from Mark with gentle instrumentation that carries the lyrics along and builds into charging crescendos of sound. I like it. And I like the whole album. Excuse me while I go and listen to Top of the World again. I’ll let you know in

Joy Division – Closer

Released two months after the suicide of the band’s lead singer and lyricist Ian Curtis, Closer seems darker and more mysterious than the band’s previous record, Unknow Pleasure. This perception is no doubt loaded because I got Unknown Pleasure first and listened to it significantly more often. I also like Closer and will have to give it more spins than the two I did today.

Kurt Kaiser – Master Designer

I got this in a box of records I purchased from Kijiji for a bargain price. There must have been close to 200 albums, and I am still inserting them alphabetically into the library as I listen to each of them. This record was also the first album in the letter K in the library. It is a nice, clean Muzak with competent piano playing and modest string sections. It is a decent album if I listen to it in that context.

David Gilmour – Luck and Strange

I am a fan of Pink Floyd, from their early albums to their solos. Luck and Strange is David’s fifth solo album, and after the first listen, I think it stacks up favourably with his earlier material. The hard copy is in the mail. Stay tuned for more info when the vinyl arrives.

Kansas – Song For America

Song For America is Kansas’s second album. It has an expansive prog/ rock feel and some heavier rock reminiscent of that era. Released in 1974, it was a minor hit when it was initially released and got middle-of-the-road reviews. Some liked it a lot, others not so much. To me, it is an album by a band that is still trying to find its sound and direction. They found that voice in the album Point of Know Return, released in 1977.

Kansas -Point of Know Return

Point of Know Return would be Kansas’ highest-charting album in the US and their most significant commercial success. Gone are the epic 10-minute prog tracks found on their early recordings in favour of mostly pop radio-friendly 3—to 4-minute songs. Point of Know Return also has one of their most recognized tracks, Dust In The Wind. I struggle to play Dust In The Wind on my guitar, but I love hearing it on my turntable.

I listened to several of this week’s albums more than once, which indicates how much I appreciated and enjoyed them. Happy listening, my friends.

37/52

This blog contains The albums I listened to this past week, September 8-15. Highlights are Kansas and David Gilmour.

Mark Bacino – Top of the World

Joy Division – Closer

Kurt Kaiser – Master Designer

David Gilmour – Luck and Strange

Kansas – Song For America

Kansas -Point of Know Return

Mark Bacino – Top of the World

This is a new record, and I’m still looking for something to jump out of it and inspire me. Other than my wall of writer’s block, there is nothing terrible about this recording. I’ll listen to it again.

Joy Division – Closer

Released two months after the suicide of the band’s lead singer and lyricist Ian Curtis, Closer seems darker and more mysterious than the band’s previous record, Unknow Pleasure. This perception is no doubt loaded because I got Unknown Pleasure first and listened to it significantly more often. I also like Closer and will have to give it more spins than the two I did today.

Kurt Kaiser – Master Designer

I got this in a box of records I purchased from Kijiji for a bargain price. There must have been close to 200 albums, and I am still inserting them alphabetically into the library as I listen to each of them. This record was also the first album in the letter K in the library. It is a nice, clean Muzak with tinkling piano and modest string sections. It is a decent album if I listen to it in that context.

David Gilmour – Luck and Strange

I am a fan of Pink Floyd, from their early albums to their solos. Luck and Strange is David’s fifth solo album, and after the first listen, I think it stacks up favourably with his earlier material. The hard copy is in the mail. Stay tuned for more info when the vinyl arrives.

Kansas – Song For America

Song For America is Kansas’s second album. It has an expansive prog/ rock feel and some heavier rock reminiscent of that era. Released in 1974, it was a minor hit when it was initially released and got middle-of-the-road reviews. Some liked it a lot, others not so much. To me, it is an album by a band that is still trying to find its sound and direction. They found that voice in the album Point of Know Return, released in 1977.

Kansas -Point of Know Return

Point of Know Return would be Kansas’ highest-charting album in the US and their most significant commercial success. Gone are the epic 10-minute prog tracks found on their early recordings in favour of mostly pop radio-friendly 3 to 4-minute songs. Point of Know Return also has one of their most recognized tracks, Dust In The Wind.

I listened to several of these albums more than once, indicating how much I appreciated and enjoyed their music.

36/52

What we have here, folks, is a list of what Norman listened to this week. As usual, it is a somewhat eclectic group of musicians, and I don’t see that pattern changing anytime soon. I wandered from George Jones’s country and western to Kings X’s hard rock on the same day. All music is good; just some of it sounds better some days.

U2 – The Unforgettable Fire

Released in 1984, Unforgettable Fire is U2’s fourth album. Produced by Brian Eno and Daniel Lanois, It took the band in a new direction with a gentler, more ambient sound, which should come as no surprise with Brian Eno producing it. The album received praise from critics and the buying public, placing it favourably in the charts.

Amy Grant – Simple Things

Simple Things is easy listening from the Queen of Christian Pop. Amy Grant is the highest-selling Christian artist of all time, and she managed to chart on both the Christian charts and Billboard. We saw her live on the House of Love tour. There is no denying that she had talent.

Billy Joel – 52nd Street

Billy Joel – Glass Houses

These two albums gave me stubborn earworms, which isn’t really a bad thing because I like both of these albums. There are numerous top ten songs spanning these two albums that got plenty of airplay and most likely gave them the foothold in my ear. I enjoyed revisiting these two.

George Jones – The Crown Prince of Country Music

The title is a bold and brazen declaration, one that I am not at ease with. I understand that George Jones was a talented County and Western artist, but many other great artists could also wear that crown. If George Jones were the Crown Prince, then Hank Williams would be the king. This is a compilation album with a complicated backstory that I am not going to write about; Wikipedia has all the details. Having said all that, we get to the music. Did I like it or not? I did.

Kings X – Faith Hope Love

I hadn’t listened to Kings X for ages and ages. They used to grace my disc player frequently because they are a good, hard-hitting rock and roll band with overtones of faith, but this is not a theist recording. I probably won’t listen to them again for a while. Faith Hope Love is not a bad record; it’s just not really good, either—middle of the road.

Joy Division – Unknown Pleasures

Now, this is a really good album. I can’t count how many times I have had the pleasure of spinning this slab of vinyl. Unknown Pleasures also has an iconic album cover featuring artwork designed by artist Peter Saville, using a data plot of signals from a radio pulsar. Unknown Pleasures is the only album from Joy Division that was released during lead singer Ian Curtis’s brief lifespan. Closer, their second album Closer was released after his suicide. I will listen to Closer tomorrow, and that will finish my trip through the letter “J”. “K” will feature some of my deserted island recordings, so I look forward to that and revisiting some of the new recordings I have been introduced to.

DeVotchKa – 100 Lovers

I had forgotten about this band until I pulled this CD out and reacquainted myself with them. Their music is not on the same level as Joy Division’s, but it is still of decent quality.

Mark Bacino – Top of the World

I have only had one listen to this, and it wasn’t a focused session, so I will give it another listen soon.

Modest Mouse – Everywhere and His Nasty Parlour Tricks

This isn’t my favourite Modest Mouse recording, but Modest Mouse on a bad day is still better than plenty of other bands on their best day.

Hungrytown – Circus For Sale

I keep coming back to this album, and I still don’t know what compels me to listen but not comprehend. Stay tuned for more listens. Thanks for scrambling my neurons Big Stir. LOL

David Gilmour – Luck and Strange

I have enjoyed David Gilmour’s solo career almost as much as his role in Pink Floyd. Actually, it is a big “almost.” I had a go at this late at night and didn’t have enough of a listen to make any judgment call, so I will give it another listen in the near future.

This is done for another week. Next week, I will feature Joy Division, Hungrytown, Mark Bacino, Kurt Kaiser, The Klaxons, and whatever else catches my ear. Happy listening, my friends. I look forward to these recordings, and I will see you next week.

35/52

Welcome to my list of music I enjoyed listening to this week. A few artists have been friends of my turntable for a long time, and a few new ones to expand my repertoire.

Jerry Jerry and the Sons of Rhythm Orchestra – Road Gore: the band that drank too much

Jerry Jerry and the Sons of Rhythm Orchestra – Battle Hymn of the Apartment

Hungrytown – Circus For Sale Big Stir

Sting – Brand New Day

Joan Jett and the Blackhearts – I Love Rock ‘N Roll

Jethro Tull – Aqualung

Various – Alternative Worship/Prayer, Petitions and Praise

Timbuk3 – Greetings From Timbuk3

Billy Joel – The Piano Man

Billy Joel – The Stranger



Here is the expanded version with cover art and a few thoughts about what I heard.

Jerry Jerry and the Sons of Rhythm Orchestra – The Band That Drank Too Much

Jerry Jerry and the Sons of Rhythm Orchestra – Battle Hymn of the Apartment

I am trying to remember how I was introduced to Jerry Jerry in the early 1980s. I don’t recall, but I was hooked, and that fascination with this band continues. Their music has elements of punk, rockabilly, and good old rock and roll, and the lyrics run the gamut of found love, lost love, and everything in between, as well as a running theme of religious imagery. They also have two of the best album titles of all time.

https://www.jerryjerry.ca

Sting – Brand New Day

Sting – Sacred Love

I caught Sting live on a double bill with Peter Gabriel and was very impressed with what I heard. Having experienced Stewart Copeland previously, I had two-thirds of the Police on my concert compendium but none of their albums. While bin diving a week or so back, I scored a pair of CDs by Sting; I finally listened to them today.

Hungrytown – Circus For Sale via Big Stir

I have been listening to this record for the last week, and after numerous spins, I am no closer to understanding what is going on with this recording and my neurons. I like what I hear, but it doesn’t hit any buttons to elicit a more comprehensive review. I am not giving up on it, though, so stay tuned. I am confident that I will eventually “get” this album. Thanks to Big Stir for letting me hear it.

Joan Jett and the Blackhearts – I Love Rock ‘N Roll

It’s a lovely trip down memory lane. After all these years, the album came out in 1982, 42 years ago, and the music still conveys much of the energy I remember from those years. It was rebellious, edgy, and a statement, “I love Rock and Roll.” I did two spins around the spindle for this album because I love Rock and Roll.

Jethro Tull – Aqualung

Wow, another oldy. 1971 for this one, 53 years ago. I remember when I bought it and played it when I got home. We had one stereo in the house, Mom and Dads and it was in the living room. My parents were not as enthusiastic about the music as I was. They definitely heard it as rebellious. It’s funny; the only two albums they ever complained about were Aqualung and Imagine by John Lennon. And then I bought my stereo and a good pair of earphones and never heard them critique my music again.

Various – Alternative Worship/Prayer, Petitions and Praise

This one is a score from an antique store for a Loonie. I have the CD and liked it enough to get the cassette version. The vinyl version is in the mail. There are a couple of artists here who are my favourites. Terry Taylor, Mike Knott and Gene Eugene. * Terry Scott Taylor (born May 24, 1950) is an American songwriter, record producer, writer and founding member of the bands Daniel Amos and The Swirling Eddies(credited as Camarillo Eddy). Taylor is also a member of the roots and alternative music group Lost Dogs. *Wikipedia I had the pleasure of seeing both Daniel Amos and Lost Dogs live, and they enthralled me. I did not have the pleasure of seeing Michael Knott perform live, but I have followed his music for a long time. He had a long and winding career in the alternate Christian music scene. Gene Eugene led Adam Again, a band that gets a lot of air time in my ears. The word Worship might stop people from hearing this album; it is not your typical praise and worship album. These artists view God and their relationship to God through the prism of life and experience. It is worth listening to just for the change of pace it offers.

Timbuk3 – Greetings From Timbuk3

The Futures So Bright I Gotta Wear Shades. ‘Nuff said, classic music.

Jefferson Airplane – Surrealistic Pillow

This album is a hangover from last week. I just had to hear it one more time and add the cartoon.

Billy Joel – The Piano Man

Billy Joel – The Stranger

Billy Joel is one of those artists hanging on the fringe of my listening sphere. I gave these two albums a good listen and followed the lyrics, and I have a fresh appreciation for Billy Joel’s ability to tell a story. Scenes From An Italian Restaurant blew me away when I finally paid attention to it. Billy Joel is off the fringe and into the sphere.

34/52

Hear (Here?), we have a list of my listening for this week, which is a mixed bag that includes industrial metal as well as classic Country and Western music.

Jerk With A Bomb – Pyrokinesis

I had no prior knowledge about this band or what they sounded like. A half-dozen listens later, and I like their sound. They quickly and easily became my hot listen of the week.

Grinderman – Grinderman

I enjoy Nick Cave’s many personas, Grinderman being one of them. I think Grinderman is a bit like Frank Zappa. Only some people will get into what they are doing, but it is magical for those who do.

Jefferson Airplane – Surrealistic Pillow

Thanks to Alice, this album is an instant earworm. From my perspective, it has aged well. I gave it several trips around the spindle and filed it under “Half Way To A Deserted Island.”

Various – Classic Rock 1964 & 

Various – Cool Rock. Road trip tunes.

Nitty Gritty Dirt Band – More Great Dirt

I have been a fan of the Dirt for many years. I saw them live twice, at the same venue, 40 years apart. This album contains the song “Cadillac Ranch,” written by Bruce Springsteen and first released on Springsteen’s 1980 album The River. I like the Dirt version better. I am not a big Springsteen fan. I like the album Nebraska, and that’s about it. I am a fan of the Dirt and have a good slice of their discography, including all three of the Will The Circle Be Unbroken series.

Lost Dogs – Mutt

I continue to be a big fan of Lost Dogs, and this one consistently provides a good listening experience for me.

Blue Rodeo – Lost Together

They are a Canadian institution, and this album provided an excellent listen with Valerie as we listened together.

James Gang – Straight Shooter

They are a good band but never as good as when Joe Walsh played with them.

PIG – Sinsation (Remastered)

On the trail of his ‘Red Room’ album, which I gave a nod of the hat to on 31/52, industrial legend Raymond Watts, aka PIG, presents his seminal ‘Sinsation’ album via Metropolis Records (digital, CD) and Armalyte Industries(vinyl). ‘Sinsation’ was released in 1996 on Trent Reznor’s Nothing Records but has been out of print for decades. Sinsation returns, re-remastered at Abbey Road and ready to rock your world.

I am giving a big shout out to Shameess PR  contact@shamelesspromotionpr.com
‘Painiac’ video  https://youtu.be/3XmSj11f8wc

PIG is labelled industrial rock, which is fitting, but people may dismiss it when they see that genre label and avoid a very listenable record. Industrial? Post-punk? Post-prog? No, it is Sinsational and it is sensational. Just listen to it and leave the genre labels alone.

Waylon Jennings – Greatest Hits

The Greatest Hits LP mainly documents Jennings’ outlaw country years for RCA Records during the 1970s and includes several of Waylon’s signature songs. This album was released in 1979, and I think I have lowered the groove in it a couple of millimetres from repeated playings. It may have a place on my deserted island.

Waylon Jennings and Willie Nelson—WWII — I can not think of a more dismal sound than two talented people having their names and their music dragged through the mud of corporate greed. I can not imagine these two gentlemen releasing the record of their own free will. It is sappy music dripping in strings and broken-heart songs that never go anywhere. There is only one song on the platter that I can endure listening to, and it is a cover; ’nuff said. “The Year That Clayton Delaney Died” is a song written and recorded by American country music artist Tom T. Hall and covered here. The rest of the songs should be covered about six feet.

Waylon Jennings and Willie Nelson – Waylon & Willie

Now, this is how an outlaw country album should be done.

Waylon Jennings  Ol’ Waylon

And another Outlaw Country album. It may be overproduced for my taste, but it is still a good listen.

Jefferson Airplane – Surrealistic Pillow

I had that earworm going and had to listen again.

33/52

Welcome to another blog about what I have been listening to this week past.

Jay and the Americans – Blockbusters

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Blockbusters, indeed. Jay and the Americans recorded “Cara Mia” on their 1965 LP Blockbusters. It became an international Top 5 hit, reaching number 1 in Canada. Their version was re-released in 1980 and went into the charts in the Netherlands. Twenty Four Hours From Tulsa is my favourite song of this album.

Jay and the Americans – Greatest Hits

Not all blockbusters are great hits. There are a few cross-over songs and a few new faces. While listening to Jay and the Americans, I looked them up on Wikipedia. My history of rock and roll books collects dust nowadays. Depending on which version of the band you look up, about 3/4 of them passed away in their 80s, and the rest are in their 80s. It makes me feel old that I enjoy bands from this era.

Garland Jeffreys – One-Eyed Jack

One-Eyed Jack is an album best left in the dollar bin at the record store, which is where I found it.

Benjamin Jay Thomas – You Are The Sea (Mantrasong 054

Easy as silk and smooth as a baby’s skin, this track is my pick for “Norman’s Single of the Day!” Benjamin is a spiritual being on a human journey and plays music as the backing track for his Life.

Clone  CL.1

This album has consumed more of my listening time than any other album this week. I left it on as background music while I worked; it worked very well in that job. I have listened to it intently with the lyrics up on the screen; it was a good listen. I have heard it several times this week, more than all the other albums combined.

The verdict? I don’t know; the jury is still deliberating. I have listened to it a few times and don’t want to tip the scales. So, I am pausing to write this.

My take on this album is this:

Track 1, Room of Tears(A song for a rich boy at his father’s funeral)

The song starts with a light, easy instrumental intro that builds for about 30 seconds, an eternity in a three-and-a-half-minute song. It builds, and then the lyrics come in with darker music and a more intense tone. The anguished speaker laments, “You can count on suffering in waves.” No amount of denial or anguish will take our grief away; it will continue to come at us in waves that may change in intensity over time but never go away.

Track 2, Immutable (an anthem for the 99%, the poor and how they are silenced.” 

“In your veins flow an anger that can’t be taught.”

Track 3, Dazzler (a song told from a pimp’s perspective selling his hooker.) A significant part of making a sale is bargaining, the buyer and seller jostling for the best price for each.

Track 4, Dividing Line (Aka the Donnie Song about Donald Trump starting a race war in this county). I do not live in the USA, so Trump is starting a war in his country, not this country, the one I live in—a depressing thought, regardless of which country you live in. A sad thought that seems to be creeping closer and closer to a heartbreaking reality.

Track 5, Still Life. (a song about a stalker) We transport from one depressing reality to another. Despite the creepy content, I like the music, mainly the guitar.

Track 6, Salt Sea Strain (a song about dying on the beach in front of your mother while attempting to save her life), is another catchy tune despite the dark lyrics. It reminds me of another musician who sets depressing lyrics in a catchy pop tune, Of Montreal.

Track 7, Redeemer (a song about the irresistibility of cult leaders), is another song with great music surrounding a terrible reality. Just turn the television on to one of the faith channels or the late-night crawlers with their twisted religion.

Track 8, Insides (is a song about the war coming). There is little to look forward to after this song; war is never a winning life track.

Track 9, Resurrection ( A song about people always caught in repetitious life cycles, always making the wrong mistakes, always being judged, never giving their say, and only believing in nihilism over religion) Wow, that’s a mouthful. There is nothing left for me to say other than a definition of nihilism; it is the rejection of all moral and religious principles and the belief that life is meaningless.

On the heels of their recently released debut album, CL. 1, Brooklyn post-punk/alternative rock outfit CLONE presents the timely single ‘Immutable,’ a powerful anthem for the ordinary people who form the backbone of our society.

Delving deep into the ongoing, persistent struggle between the vast majority of people and a small, elite class, Clone explores how wealth and power are systematically extracted from the masses. A passionate call to action, ‘Immutable,’ demands immediate attention to the pressing political and economic issues facing our world.

“This song is about us. The 99% that is working to keep it all moving forward. The history of the poor has never truly been told. ‘Immutable’ is the story of the 99% and how the 1% take it all from the masses,” says frontman LG Galleon.

My closing thoughts after writing the above and listening to the music again is that CL.1 is about us, and the album gives the band a vessel to explore denial, anger, bargaining, depression, and acceptance which are steps that we follow in life and in loss.

‘Immutable’ video  https://youtu.be/FfDSPxW6EJ8 
‘Dividing Line’ video  https://youtu.be/Wek1uSlQ7Go
‘CL. 1’ album order (digital)  https://music.drm.co.nz/cl1-clone
Album order (vinyl)  https://littlecloudrecords.com/products/clone-cl-1-pre-order
Bandcamp album order (vinyl /digital)  https://clonebk.bandcamp.com/album/cl-1
Spotify  https://open.spotify.com/album/2MOBVjgMYnExeOOkzMz2Ks
Apple Music  https://music.apple.com/nz/artist/clone/1498878509
Full album on YouTube  https://tinyurl.com/Clone-debut-album-YouTube

Shameless Promotion PR
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The Half-Cubes – Pop Treasures

The Half-Cubes – vocalist-bassist GARY FRENAY and drummer-producer TOMMY ALLEN – had made their bow and their vow to carry on the “covering the classics” mission of their long-time main project, The Flashcubes, while that band’s Pop Masters album was still winning critical accolades and international airplay last year. Enlisting the permanent assistance of guitarist RANDY KLAWON (The Choir, Cyrus Erie), the duo signalled their ambitions to dive even deeper into the ocean of guitar pop cult classics with the hit indie single “Weakest Shade Of Blue,” a Pernice Brothers tune (featuring Bob Pernice) of a far more recent vintage than the Pop Masters songbook. The surprises continued on singles paying tribute to ’70s hitmakers The Hudson Brothers (with brother Mark Hudson on board), ’80s college rock darlings The Pursuit Of Happiness (featuring TPOH frontman Moe Berg), and fellow Power Pop Hall Of Famers The Rubinoos, whose own Jon Rubin and Tommy Dunbar joined in as well. Fans were also treated to ‘Cubes-only renditions of beloved-but-obscure cuts by The Motors (by way of The Searchers), Cheap Trick, Phil Seymour and 20/20… tracks celebrating seven artists across five decades and demonstrating that The Half-Cubes were doubling down to the delight of pop fans worldwide.

This album is a long listen but worth investing in every minute. And the bonus of a great album cover.

https://orcd.co/halfcubes-poptreasures

BIG STIR RECORDS1521 North Rose Street, Burbank CA 91505bigstrrecords@gmail.com

https://bigstirrecords.com/the-half-cubes