2024 In The Rearview Mirror

Making year-end summaries is always a long and occasionally tedious process. I have to review all the blogs I wrote this year and take notes on which bands I liked and some fringe players I think deserve a second listen. Then, I listened to all the albums (some get a brief glance) again, reviewing what I had written, which was enjoyable. Generally speaking, I wouldn’t say I like making best-of lists, but I will indulge and offer some highlights from this year’s listening sessions.

I listened to about 400 albums this year, with a mix of vinyl, streaming, CDs and a few cassettes thrown in. Having broken my hip certainly impacted my listening for the first 3 or 4 months of the year. I didn’t make a spreadsheet this year, so I don’t have the data on my listening that I usually have.

Regardless of the numbers, it was a good year. There were plenty of new albums and artists that I had not heard of before. I want to thank the PR firms that kept entertaining me with new music. A few independent bands sent me their albums. Thank you. p.s. I am always grateful for the physical copies, any media type.

My beloved Technics turntable reached its last run-out groove. It is 42 years old, so it is ready for retirement. I bought a new audio-technica turntable from Record Collectors Paradise, and look forward to hearing it play music in 2025. I also put new speakers in my office, where I do most of my writing. So, without further ado, here is what I heard in 2024.

Best New Music

Evidence of a Struggle – Keep It

From Shameless Promotion PR, I was offered this album to blog something about. I listened to it numerous times, and apart from saying that I enjoyed it, I provided no commentary on why I liked it.

The press sheet called the music ‘lush, cinematic, beautiful and sometimes chaotic compositions.’ Yeah, it is all of those words, ’nuff said.

Modern Guilt – We’ll Always Have Vegas

I am listening to Modern Guilt’s album We’ll Always Have Vegas. I blogged it in February, so there has been a significant amount of time between my first exposure to the music and now.

I originally wrote that We’ll Always Have Vegas felt very personal, and the lyrics’ sent me chills.’ I am listening to the album as I write this, and it has not lost anything since my first listen and today. It has enjoyable music and good lyrics; Modern Guilt hit a home run with We’ll Always Have Vegas.

Between the Dead and the Dreaming from Ten Millimeter Omega Recordings

Atmospheric chill music. Bandcamp describes Between the Dead and the Dreaming as “dark ambient/instrumental music from Jason Herring of the Mystery Planthe Interstellar, and Muchacho.” That about sums it up.

Thanks to Ten Millimeter Omega Recordings for suggesting this album to me.

Welcome to The Marble Zone. I am still figuring out what to add to my blog in April. It sums it up well. I enjoy this album; it is a standout for the year, to be sure. Thank you to Bark Music for this audio gem.

Best Compilation Albums

Generation Blue from Big Stir Records

I like mix tapes and compilation albums, so when Christina & Rex from Big Stir Records told me about Generation Blue, I was happy to give it a virtual spin. The Shufflepucks’, Where The Hell Is She is the opening salvo, which has retained its energy since my first spin in March. Broken Tooth by Campfire Girls is another standout song I am enjoying as I blog about it. It’s good music. This is a good collection of good tunes.

Various – Stiffs Live

Nick Lowe, Elvis Costello and Ian Dury & the Blockheads appeared on this compilation album. I’ve said a hundred times and will say again, ‘I like compilation albums.’ And this is a humdinger of a collection, loaded with favourite artists of mine from the British New Wave period.

Best Live Show 

Explosions In The Sky – Live at Midway

It still sends a chill down my spine when I think about this live show. I was enthralled, held, and fixated for a couple of hours. A handful of bands and artists have wrapped their music around me like chains fashioned from sheet music. Explosions In The Sky is the most recent band to do so. They are not a flashy band. The lights used on stage were subtle and occasionally blinding when they used backlighting for the stage, Explosions In The Sky is not the only band guilty of this. That was the only mar on an otherwise enchanted evening. Thank you Joel. https://jweatherly.ca

Best New Vintage Album

CSN&Y – Live At Fillmore East, 1969

This album was recorded shortly before their standout album, Déjà Vu (1970), and before their live album, 4 Way Street (1971.) On Live At Fillmore East, 1969, we get to hear four talented musicians, who are arguably stars outside of CSN&Y, coming together and feeling their way towards being a group and not four men on guitars. They are rough in patches and golden on other tracks. A highlight for me was the 16-minute solo of Down By The River showcasing what Young brought to the band. It’s not as polished as 4 Way Street, but it is part of its charm to hear the rough edges before they did Déjà Vu, their most successful album and a studio album squeezed between these live albums.

Best Video 

David Byrne – American Utopia

The American Upopia show was one of the best live shows I have been to, and this video captures a lot of the charm. The video is from the Broadway show of American Utopia, which received a Grammy Award for Best Musical Theater Album.

Best Band Name

Ned’s Atomic Dustbin – God Fodder

Thanks to Kevin from On Repeat for reviewing this album, which I promptly listened to.

Best Album/band names

Jerry Jerry and the Sons of Rhythm Orchestra – Road Gore: The Band That Drank Too Much

Best Electronic/Rock/Industrial/Coldwave

PIG – Red Room 

Thanks to Shauna (contact@shamelesspromotionpr.com) at Shameless Promotion PR for suggesting this to me. 

Best Single

RORO and snapir – Mass

Thank you to Daniel Jones at Mystic Sons music publishing.

My Favourite Albums That I Play Every Year

Pink Floyd – The Dark Side Of The Moon

The consistent yearly winner 51 years in a row. I never tire of listening to this album. I first bought it on vinyl, the next day I bought it on cassette so I could play it in my car. Between 1973 and 2024 I have probably acquired over a two dozen copies of this album in various formats. I use this album for the first listen on any bit of new hardware I acquire since I know how DSotM sounds. Within the last week or so I have used DSotM twice, a new turntable and a new set of speakers. It’s getting better all the time.

The Beatles – Sgt. Pepper’s Lonely Hearts Club Band

I don’t know what I could at to this album’s notes. It fully deserves to be called a classic album.

Bee Gees – Best Of The Bee Gees

Best Of Bee Gees is the first album I bought with my own money.

King Crimson – In The Court Of The Crimson King

I have 12 records by King Crimson, and I listened to all of them chronologically this year. The photo below was taken in London at the Royal Albert Hall in 2019, where King Crimson put on a fantastic concert to celebrate the 50th anniversary of In The Court Of The Crimson King.

Assorted and Sundry Albums

Isaac Hayes – Hot Buttered Soul

A fantastic album, Isaac Hayes’s cover of ‘By The Time I Get To Phoenix’ is brilliant on an already excellent record. Hot Buttered Soul is on my list of deserted island records.

Jethro Tull – Aqualung

1971 for this one, 53 years ago. I remember when I bought Aqualung and played it when I got home. Mom and Dad had one stereo in the living room, and my parents were less enthusiastic about Jethro Tull than I was. It’s funny; the only two albums they ever complained about were Aqualung and Imagine by John Lennon. And then I bought a stereo and a good pair of over-the-ear headphones and never heard them critique my music again.

Talking Heads – Fear Of Music

I can remember surveying a well site south of Hardisty and playing this cassette over and over. Now I play it on vinyl or CD, it is still an album that gets played yearly.

Jefferson Airplane – Surrealistic Pillow

Joy Division – Unknown Pleasures

Nick Cave & the Bad Seeds – No More Shall We Part

Bill Evans Trio – Live at the Village Vanguard

Bill Evans Trio performing Live at the Village Vanguard ranks up near the top of my favourite live album, and it is a damn good record even if it wan’t live.

Dave Brubeck Quartet – Time Out

Musicians That We Lost In 2024 

Kris Kristofferson (June 22, 1936 – Sept. 28, 2024)

Melanie (Feb. 3, 1947 – Jan. 23, 2024)

They have shuffled off their earthly coils, but they will live on through the gift of music that they have given to us.

Best Late Addition

St. Vincent – All Born Screaming

I am at a loss to explain how this flew under my radar since it was released in April. I have been a casual listener of St. Vincent’s music, but this album made me a fan. Powerful music that leaps out of the speakers and engulfs me, this album pumps energy to the next level. All Born Screaming opens with pulses of bass/percussion, and then Hell Is Near settles into a smooth crooner. All good, right? Yes, it is good. Any album’s opening track should draw the listener in and pique their curiosity enough to keep listening past track one. St. Vincent accomplishes that with ease. Track two, Reckless, comes along with soft piano musings and the smooth vocals of St. Vincent, showing the versatility of her vocals, accompanied by a gentle bit of orchestration. Boom! At 2:40, the song explodes and jars our attention to ensure we are still listening. I am! I am listening! The drama, suspense and energy keep unfolding through the remainder of the album; this truly deserves to be included on my list of good ones in 2024.

2024 is fading in the rear view mirror and 2025 is unfolding before me. I finished the letter K in my quest to listen to all my records. I started this journey January 2022. I look forward to the letter L in January.

I wonder what musical gems I will listen to in the year ahead.

50/52

It has been a busy week, musically speaking. Rather mundane otherwise. A friend donated a stack of records, 34 slabs, and just a shade over 33 and 1/3. I also really enjoyed our visit. I was in my happy place. Later that evening, I cleaned vinyl, put some clean clothes on them, found out who they were, and added them to the WeatheredMusic family on Discogs. And then, I started listening to them.

There was, amazingly, only album that I already had. However, there were some old friends I had never brought back into the fold after one of my record purges and some that had been on my wishlist but never made it to our basement. Overall, it was a diverse selection, everything from The Who, a lovely blast from the past, to 2001: A Space Odyssey, which is not only a blast from the past, but also an expectation of what the furture could be. For the remainder, I will briefly comment on each album and any lengthier reviews will have to wait till a future date.

Ali Farka Touré & Toumani Diabaté – Ali and Toumani

I’ll jump into the way-back machine and go to 2010. This album features fantastic talent that I can spend hours listening to. What Ali does on guitar blows me away. Talent, raw talent. Toumani introduced me to the Malian instrument, the kora. A kora typically has 21 strings, which are played by plucking with the fingers. I struggle to play a guitar with 6 strings or a uke with 4 strings; I can not imagine the complexity of playing a kora. Ali Farka Touré, on the other hand, is a master of his guitar. I have to go and listen to this again.

‘Ali and Toumani’ is a 2010 record by Malian musicians Ali Farka Touré on the guitar and vocals and Toumani Diabaté on the kora. The title, ‘Ali and Toumani, ‘not only signifies the collaboration between these two musical giants but also serves as a tribute to their individual contributions to the album. It is the second album featuring the two musicians; it is a follow-up to In the Heart of the Moon, released in 2005. Recorded in 2005 in London before concert dates in Europe following the release of In the Heart of the Moon, the album was released after Touré died in 2006. Ali and Toumani feature some older songs from Touré’s repertoire: ‘Sabu Yerkoy,’ which celebrates Mali’s independence, dates from the 1960s, and ‘Sina Mory’ is the first song Touré ever heard on guitar in 1956. Diabaté states, ‘[t]he album was going to sum up all the albums that Ali had done in the past…It was the very last album he made.’

Aursjoen – Strand

Aursjoen is the project of Ria Aursjoen, vocalist and keyboardist for the critically acclaimed San Francisco post-punk outfit Octavian Winters. Ria Aursjoen is a classically trained singer and multi-instrumentalist with a past steeped in genres ranging from Celtic and Nordic folk to darkwave and progressive metal.

All songs written & performed by Ria Aursjoen

Arranged by Ria Aursjoen and William Faith

Guitars on ‘Lilypad’ & ‘Apollo’ by Stephan Bryan Salit

Produced, recorded, mixed & mastered by William Faith at 13 Studio in Chicago

Published by Airdaughter Music BMI

Released by Stratis Capta Records

Publicity by Shameless Promotion PR

‘Nytår’ and ‘For Want Of’ videos by David Kruschke Cover artwork by Ria Aursjoen

Keep up with AURSJOEN

https://aursjoen.com http://www.facebook.com/aursjoen http://aursjoen.bandcamp.com https://www.instagram.com/riaaursjoen https://twitter.com/RiaAursjoen

https://www.youtube.com/@AURSJOEN https://open.spotify.com/artist/0dOhU4BBpKctJ0kYmrSfHV

If you have any questions, contact Shauna McLarnon from Shameless Promotion PR at contact@shamelesspromotionpr.com

Aerolinea– All We Need

US-Argentinian indie-pop duo Aerolinea presents debut album ‘All We Need’ & ‘Nervous’ video.

FOR SHARING

‘All We Need’ album order  https://aerolinea.bandcamp.com/album/all-we-need

‘Nervous’ video  https://youtu.be/mwltFSYZFxU

Spotify  https://open.spotify.com/album/13UPYvTybuzdn00codoyMB

‘What Moves You’ video  https://youtu.be/Z62JeBTIQg0

Bandcamp  https://aerolinea.bandcamp.com/track/what-moves-you

Spotify  https://open.spotify.com/album/6UPlrF8EnsIfYoaQjHDqkn

Apple Music  https://music.apple.com/us/album/what-moves-you-single/1772719636

YouTube Music  https://music.youtube.com/channel/UCZLsdJiKOyFf7WLfdwelQ6A

If you have any questions, contact Shauna McLarnon from Shameless Promotion PR at contact@shamelesspromotionpr.com

The Who – Meaty, Beaty and Bouncy

Meaty, Beaty and Bouncy, this was a fun record with several standout songs, Pinball Wizard and My Generation, to name a few.

The Beatles – Hey Jude

When I was putting this into Discogs, I was surprised that I didn’t already have a copy. That oversight has been corrected, and I spent a delightful chunk of time while I listened to this album again.

ELO – Discovery

I was never a big fan of ELO, but I enjoy their music when it pops up here and there, primarily soundtracks and Wal-Mart muzak.

Kerala Dust – Late Sun

The Honeydippers – Volume One

Weather Report – Weather Report

Weather Report by Weather Report reported by WeatherMusic aka Norman Weatherly.

The Beatles – The Beatles Second Album

The Beatles Second album is a standout gem, this record is best enjoyed by those who have lived through the time it occupied in history. I don’t hear my son playing The Beatles, except for Sgt. Pepper now and again.

Johnny Cash – At San Quentin

One of the standout characteristics of Johnny Cash’s live albums is how the capture the man in his element, making music and connecting with people. Whether you like his music or not, I think it is obvious that he knew how to do his job and this album exemplifies that. He is bantering with the crowd and delivering song after song that spoke of prison, physically or metamorphically.

Five Man Electrical – The Power of the Five Man Electrical Band

One song. This album has that one song. Signs. One word, Signs. One reason to own this album, Signs.

Robin Williams – Reality…What A Concept

Comedy records have to be recorded live. There is too much energy bouncing around between the comedian and the audence that can not be captured in a recording studio. It has been my experience that comedy albums are good for one listen. With occasional exemoary album getting two listens. As good as Robin Williams was, he will only get one listen from on this album.

Billy Joel – The Stranger

I don’t know why but my brain has Billy Joel on repeat this year, which is OK with me since I do enjoy his music and his skill at weaving a story. This was the second listen of this album this year and I liked it both times. 

Goose Creek Symphony  – Words of Earnest

Goose Creek Symphony harkens back to a dark period in my life. I was graduating from high school, getting my first job, and owning my own stereo. It should have been happy days ahead, what I didn’t know at the time was that there were dark days ahead.

I relistened to this album, I had never owned my personal copy, with clear eyes and a steady hand at the wheel. I have found some music that I may have been avoiding to avoid those memories. This is some very good music that I will for sure listen to again.