Alan Doyle

The Jube, aka the Northern Alberta Jubilee Auditorium, was dancing, swaying, singing and clapping to the music of The East Pointers and Alan Doyle & the Beautiful Beautiful Band. It would be fair to say there was more than one Newfie in the crowd. Actually, more than one person with allegiances to the East Coast of Canada, including a few who have loose connections to the East, including me. I lived in Labrador for a few years and shared a house in Edmonton with a bunch of Newfies. Newfie or not, the crowd loved the East Coast aesthetics.

Photo by Joel Weatherly https://jweatherly.ca

The East Pointers, who hail from PEI, opened the show with a lively set that immediately had the crowd engaged. The East Pointers initially consisted of guitarist Jake Charron, banjoist Koady Chaisson (d. 2022), and fiddler Tim Chaisson and won the Juno Award for Traditional Roots Album of the Year for their album Secret Victory at the Juno Awards of 2017. These two multi-instrumental entertainers played their way into my heart, and I am sure that could be said of many in the sold-out show.

Unfortunately, I didn’t get a set list, so I only got the names of a few songs from their five-album catalogue. “Misty Morning” is a rousing toe-tapper that is easy to fall in love with. “Two Weeks” is a story that many East Coasters/Albertans could relate to, moving west for jobs in the oilfield with two weeks on and two weeks off. Their set felt short to me because we were just getting warmed up, which means they were doing a good job as a warm-up band. However, before they left, I fell in love with their songs and one that resonated strongly with me. “Anniversary” is a song about recovery. Recovery from addiction to substances or addictive behaviour. People who are in recovery celebrate their clean days every year, our anniversaries. Mine is May 11, 36 years clean and sober. That song got me. Well done, lads. I really ought to have bought their CD just for that one song. Maybe a gift to myself for my 37th anniversary.

Alan Doyle is a natural entertainer. From the moment he came on stage to the moment he stepped off it, he entertained us. He regaled us with songs & lyrics that spoke to our hearts and with stories woven into those songs. He engaged in banter with the crowd and wove it into his set, making me feel like we were in the backyard, with some burgers on the BBQ, a couple of cold drinks in a cooler, and friends, both old and new, gathered together, singing songs and telling stories. Stories where the waves got higher, and the fish got longer every telling.

Alan Doyle is multi-talented. I first knew him as a member of the band Great Big Sea. He has also acted on television and in movies and has authored a book. On stage, Alan is at ease, even when the energy of his set is turned up to 11. The songs flow naturally, and he keeps the audience in the palm of his hand. He played a good overview of this career in song, including some from Great Big Sea, Alan’s solo albums, and a couple of really good covers. “Nancy” is a great song that easily had us standing and clapping along. “Already Dancing” is a great story song that I have to remember, not just to sing, but to live by example. “The Crawl” had me up singing and swaying, which doesn’t happen easily for me with a cane and a rusty windpipe. “The Crawl” is a cover of a song by Spirit of the West, a great band hailing from the West Coast of Canada. I have been privileged to hear Spirit of the West live several times, and I have been a fan of their music since 1985. Their music, and Alan Doyle‘s, share an affinity for Celtic overtones, rollicking songs, and plenty of beer.

Alan Doyle is backed by top-notch musicians in Alan Doyle & the Beautiful Beautiful Band. Not to pick favourites, they are all damn good, but we all cheer loudest for the home team. The fiddle in Doyle’s band is an Albertan, Kendel Carson. Another highlight for me, pun intended, was the stage lighting. It was a wonderful use of modern lights that can switch from a subdued wash of colour to a piercing spot that could burn out an eyeball. The sound techs did an admirable job as well; the Jube has great acoustics, which was used to great effect. The sound was clear and at a good volume, so I didn’t need ear protection.

Bottom line, I thoroughly enjoyed the show from the opening notes of the East Pointers to the last note of Alan Doyle & the Beautiful Beautiful Band’s encore.

Bored?

It’s a relatively quiet Wednesday, the sun is shining and Donald Trump is being impeached. So what am I listening to? Stella Explorer and boerd is the answer. Specifically the live video of their song Before We Drown. This is sweet music for a winter Wednesday. The pond and lakes are all frozen in this part of the world so literally drowning would be incredibly difficult but I don’t mind being drowned in good music and this video provides that. Get comfortable, turn the volume off on the television and drown in boerd and Stella Explorer making some very pleasing music.

Live Review: Yukon Blonde / The Zolas

On the evenings of Friday, November 30 and Saturday, December 1 we had the pleasure of listening to Yukon Blonde and The Zolas do back to back shows at The Station on Jasper. This repeat was a first for both of us although we had seen both bands previously, this was the sixth time for Yukon Blonde and the seventh for The Zolas. Listening to two groups do back to back shows presented us with an opportunity to make some observations on band dynamics, set lists, crowd demographics and dynamics, how the music and lights were mixed and the overall vibe from each show.

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The Zolas hail from the Vancouver area but make numerous tours that include Edmonton, where it is evident that they have a lot of fans. Currently, the core of The Zolas consists of Zach Gray on guitar and vocals, Dwight Abell on bass, and Cody Hiles on drums with a touring pianist rounding out their sound.

Over the years I have heard The Zolas grow and spread their playing into new and exciting sounds while they have also developed and matured as a cohesive unit, they sound better with each listening. They are more confident and they are using new sounds and arrangements that make their older songs sound fresh. They have always been a band that had a good on stage presence and that did not change with these two shows. Zach is good at banter and engaging the crowd and the band as a unit kept the energy moving forward with a minimum of dead spots such as guitar tunings.

The Zolas are adding more nuances and textures to their music through the use of synthesisers and trigger pads. This was most notable for Zach as he played both synthesiser and guitar in which he used the headstock of his guitar to tap trigger pads. The band generated good energy with the crowd and were able to sustain that energy through their set, although I think it was a better crowd on Friday than Saturday and the crowd energy was different. The Zolas traditionally close with Zach taking his mic stand, guitar and a small synth into the middle of the crowd on the floor and play Escape Artist. Zach asks the crowd to turn on their phone flashlights and it creates a cool dynamic.

Over the years I have seen this done several times and the audience reaction isn’t always the same. On Friday night it was good, not as good as a previous show at a different venue and a different crowd, but it was darn good. Saturday night, on the other hand, had a very different crowd that didn’t engage as well from my perspective.fullsizeoutput_d6dfAs always, The Zolas meet and greet with the crowd after the show and are good at it. We didn’t get a setlist from the Zolas this time around, but we got a selfie with Zach which is a tradition he does with us. My appreciation for this band goes up every time I see them live or listen to them at home. They are a highlight band for me. My favourite song is Frieda On The Mountain:
“Freida on the mountain
What do you see on the other side?
Freida on the mountain
What do you see on the other side?”
I’m sure that my family and friends will understand why it is a favourite.

Yukon Blonde is a band that started in Kelowna but work out of Vancouver nowadays. The band is made up of Jeff Innes on vocals and guitar, Brandon Scott on guitar and vocals, Graham Jones on drums and vocals, James Younger on bass and vocals, and Rebecca Gray on keyboards, synths, and vocals.fullsizeoutput_d6f5

Wikipedia classify them as an indie rock band although I can hear the influence of psych, disco, 80’s easy listening, and straight ahead power rock. They are a tight band that can are comfortable playing with a variety of sounds. Having the luxury of 3 band mates that can sing lead, all 5 of them singing backing vocals, 3 of them that play synth and two lead/rhythm guitar players, they can spread the sound around and add layers and textures that compliment each other and build a big sound.

The highlight for me of both shows by Yukon Blonde was their long jams on the song Radio. I didn’t time it because I was so mesmerised listening to it, but it went around, up, over and then back for more than the traditional 3 minutes that they would get on a radio edit. It then it segued into Saturday Night which was another high energy stretched out anthem. The closing song both nights was a tribute to George Harrison and the Travelling Wilburys, in which both bands took the stage, and they did a rendition of Handle With Care.

 

fullsizeoutput_d6e6The Station on Jasper is a good venue, the staff are polite and courteous and the sound is usually pretty good. They have a decent menu, we had the nachos and they were tasty. Like I said earlier, the crowds were very different for the two shows. Friday night had a lot of happy people that were there because they wanted to hear the music. Saturday felt like it had a lot more intoxicated people who came to the venue to get drunk and either socialise through the whole show or spend the entire night texting. Very different crowds that I am sure the bands could sense as much as we did.fullsizeoutput_d289

The sound was muddy, very bass heavy and very loud on Friday night, which was a shame because so many people were there to hear good music. Saturday night had a better mix although it was still very, very loud. At least the bass wasn’t as bad as Friday night, it was still too much, but it was better. Heavy bass is a trend that we have noticed at a lot of shows, so it isn’t confined to one venue. The excessive volume is also at epidemic proportions, and it’s everywhere even in stores.

Conclusion: I thoroughly enjoyed both bands both night and would gladly return to The Station on Jasper.

-Norman Weatherly

Photos by Joel Weatherly. More Photos at Joel Weatherly Photography.

Yukon Blonde setlists: Friday, Saturday

Birds of Chicago/Steep Canyon Rangers

I had listened to the Steep Canyon Rangers before the evening of Friday, June 23rd at the Northern Alberta Jubilee Auditorium, but to be honest, it was only because I had listened to Steve Martin and they were performing with him. My impression of them from that limited listening experience was that they were one heck of a good band, and they are. They have been racking up awards since 2006 when they won Emerging Artist of the Year from the International Bluegrass Association all the way up to a Grammy in 2012 for Instrumental Performance of the Year. They have good credentials so I was looking forward to a night of good music.

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I received more than I expected, the evening began with The Birds of Chicago, a trio from where else, Chicago. The band is led by the married couple JT Nero and Allison Russel, a transplanted Canadian formerly of the group Po’ Girl. They were accompanied with a third member on guitar and slide resonator whose name slipped by my ears. The Birds of Chicago had played at the Edmonton Folk Fest last year so we were familiar with them but the set tonight took me away to a very pleasant place, a happy place. The songs swooped and danced gracefully like a bird in flight. They held the audience in the palm of their hands. It is rare for an opening band to get a standing ovation but The Birds Of Chicago deserved it. A true delight to hear them live again. Fortunately, they are coming back to Alberta this summer on the folk music circuit, playing Grande Prairie and Edmonton in November.

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After a short turnaround, The Steep Canyon Rangers opened the show with what could only be called one hell of an opener. It built energy as each member of the band strolled onto the stage and built on that until it felt like they had given it all they had. They hadn’t, there was plenty more to come. They weaved between folk ballads, bluegrass, Americana, a few classical overtones and at moments it felt like a jazz jam session. One of the highlights for me was a number in which they all played their instruments as percussion, it worked and it was spellbinding. Percussion mandolin, percussion upright bass, percussion guitar, it was incredible. These gentlemen not only know how to play a great variety of music, they do it smoothly with both professionalism and intimacy. At times it felt like we were at a family hoedown and on one tune The Birds of Chicago joined them for a number where they all gathered around the microphone for a sing-along. Great stuff.
It was a magical evening of music that will linger in my memory for a long time. Another bonus is how personal they are, both groups did a meet and greet in the lobby after their sets where they signed CDs and we were fortunate to get a set list from the Steep Canyon Rangers that they all graciously signed. A perfect end to a truly memorable evening of music.