Tag Archives: Concert
Live Review: Yukon Blonde / The Zolas
On the evenings of Friday, November 30 and Saturday, December 1 we had the pleasure of listening to Yukon Blonde and The Zolas do back to back shows at The Station on Jasper. This repeat was a first for both of us although we had seen both bands previously, this was the sixth time for Yukon Blonde and the seventh for The Zolas. Listening to two groups do back to back shows presented us with an opportunity to make some observations on band dynamics, set lists, crowd demographics and dynamics, how the music and lights were mixed and the overall vibe from each show.
The Zolas hail from the Vancouver area but make numerous tours that include Edmonton, where it is evident that they have a lot of fans. Currently, the core of The Zolas consists of Zach Gray on guitar and vocals, Dwight Abell on bass, and Cody Hiles on drums with a touring pianist rounding out their sound.
Over the years I have heard The Zolas grow and spread their playing into new and exciting sounds while they have also developed and matured as a cohesive unit, they sound better with each listening. They are more confident and they are using new sounds and arrangements that make their older songs sound fresh. They have always been a band that had a good on stage presence and that did not change with these two shows. Zach is good at banter and engaging the crowd and the band as a unit kept the energy moving forward with a minimum of dead spots such as guitar tunings.
The Zolas are adding more nuances and textures to their music through the use of synthesisers and trigger pads. This was most notable for Zach as he played both synthesiser and guitar in which he used the headstock of his guitar to tap trigger pads. The band generated good energy with the crowd and were able to sustain that energy through their set, although I think it was a better crowd on Friday than Saturday and the crowd energy was different. The Zolas traditionally close with Zach taking his mic stand, guitar and a small synth into the middle of the crowd on the floor and play Escape Artist. Zach asks the crowd to turn on their phone flashlights and it creates a cool dynamic.
Over the years I have seen this done several times and the audience reaction isn’t always the same. On Friday night it was good, not as good as a previous show at a different venue and a different crowd, but it was darn good. Saturday night, on the other hand, had a very different crowd that didn’t engage as well from my perspective.As always, The Zolas meet and greet with the crowd after the show and are good at it. We didn’t get a setlist from the Zolas this time around, but we got a selfie with Zach which is a tradition he does with us. My appreciation for this band goes up every time I see them live or listen to them at home. They are a highlight band for me. My favourite song is Frieda On The Mountain:
“Freida on the mountain
What do you see on the other side?
Freida on the mountain
What do you see on the other side?”
I’m sure that my family and friends will understand why it is a favourite.
Yukon Blonde is a band that started in Kelowna but work out of Vancouver nowadays. The band is made up of Jeff Innes on vocals and guitar, Brandon Scott on guitar and vocals, Graham Jones on drums and vocals, James Younger on bass and vocals, and Rebecca Gray on keyboards, synths, and vocals.
Wikipedia classify them as an indie rock band although I can hear the influence of psych, disco, 80’s easy listening, and straight ahead power rock. They are a tight band that can are comfortable playing with a variety of sounds. Having the luxury of 3 band mates that can sing lead, all 5 of them singing backing vocals, 3 of them that play synth and two lead/rhythm guitar players, they can spread the sound around and add layers and textures that compliment each other and build a big sound.
The highlight for me of both shows by Yukon Blonde was their long jams on the song Radio. I didn’t time it because I was so mesmerised listening to it, but it went around, up, over and then back for more than the traditional 3 minutes that they would get on a radio edit. It then it segued into Saturday Night which was another high energy stretched out anthem. The closing song both nights was a tribute to George Harrison and the Travelling Wilburys, in which both bands took the stage, and they did a rendition of Handle With Care.
The Station on Jasper is a good venue, the staff are polite and courteous and the sound is usually pretty good. They have a decent menu, we had the nachos and they were tasty. Like I said earlier, the crowds were very different for the two shows. Friday night had a lot of happy people that were there because they wanted to hear the music. Saturday felt like it had a lot more intoxicated people who came to the venue to get drunk and either socialise through the whole show or spend the entire night texting. Very different crowds that I am sure the bands could sense as much as we did.
The sound was muddy, very bass heavy and very loud on Friday night, which was a shame because so many people were there to hear good music. Saturday night had a better mix although it was still very, very loud. At least the bass wasn’t as bad as Friday night, it was still too much, but it was better. Heavy bass is a trend that we have noticed at a lot of shows, so it isn’t confined to one venue. The excessive volume is also at epidemic proportions, and it’s everywhere even in stores.
Conclusion: I thoroughly enjoyed both bands both night and would gladly return to The Station on Jasper.
Photos by Joel Weatherly. More Photos at Joel Weatherly Photography.
Yukon Blonde setlists: Friday, Saturday
In Photos: Hey Ocean w/Carmanah and Kane Incognito at The Starlite Room 16/11/2018
In Photos: We Are The City w/Close Talker and Upper Lakes at The Temple 11/11/2018
Check out We Are The City’s setlist here.
Seven Music Fest 2018
I really enjoyed Seven Music Fest 2017, St. Albert’s little festival with ambition. The weather was amazing and the lineup was worth every penny of the ticket price.
That was 2017, this is 2018 and the story runs a bit differently. The lineup didn’t have the drawing power or mesh with my listening habits. Last year we had The Strumbellas and The Rural Alberta Advantage, two bands that I followed, had seen live previously and listened to at home fairly consistently. On Saturday, July 7th we had Elle King and Banners, two bands that I had never seen live previously and had only sampled on the internet, so I wasn’t going to the festival unprepared but I also expected to hear a lot of new sounds.
After mulling it over on a lazy Sunday morning after the festival I can definitively state that I enjoyed Banners. They were enthusiastic, and that energy struck a chord with the audience as evidenced by an energetic group of dancers and toe-tappers at the foot of the stage. I came home and relistened to Banners on iTunes and enjoyed them again. I will probably get something on hard copy by them, which segues into one of the problems I had with this year’s Seven Music Fest. The merch tent was very skimpy, I didn’t see anything by Banners on the offering. No Banners t-shirts, CDs or posters. Nothing. In fact, the only merch I saw was Seven Music Fest t-shirts, I checked twice in case they were restocking and I had just missed it the first time. Anyhow, Banners put on a good quality, high energy show with good banter. I appreciate artists who can banter effortlessly and keep the audience tuned in.
The quality of sound through the festival sound system was good for the Banners set, considering that through the previous two acts it had been less than admirable with way too much heavy bass. The volume was acceptable but the bass was way over the top or under the bottom depending on how you hear it.
Delhi to Dublin were victims of this and it’s a shame because they had a large group of people in the mosh pit engaging with the music that is a bit closer to Delhi than Dublin but was still good. This is a short clip of their set, I apologize for the poor quality. I am a better listener than a videographer.
I came into the concert a bit late due to some inclement weather and missed Kane Incognito, Martin Kerr and Altameda but I did get to hear The Wet Secrets.
I always like to see and hear local bands and of the four acts that I heard at Seven Music Fest this year, The Wet Secrets were the only local talent. They are a band that defies labels with their blend of horns, a bass lead guitar, tons of percussion and a smattering of synth. They suffered from a poor sound mix but their energy and enthusiasm were never in question. They engaged with the crowd and put on a decent set.
The closing act was Elle King, a much-hyped genre-bending band that sounds like a collision between George Thorogood, Debbie Harry and Lynard Skynard. Elle King has a seven-person band behind her which was very appropriate for Seven Music Fest and they played slick, polished southern flavoured rock on some very nice gear. They all rocked out in white attire and never missed a beat. Elle alternated between banjo, guitar and handled all the lead vocals, and did it all smooth as silk.
A few odd observations. There seemed to be way more kids running all over the place. I thought at one point that I must have been sitting in the kids play zone but a glance around told me that moving would not change the situation, they were everywhere. I thought it was a novel idea for child care, fenced and patrolled by security no less.
The beer gardens, yes it is plural, often seemed to have more people than the festival grounds. That’s not a judgement, just an observation. The beer garden giant Jenga was a real crowd pleaser. I also noticed a few parents in the beer garden conversing with their children across the fence, confirming my child care observation.
There were a few food trucks but they didn’t seem as varied or as plentiful as last year and the prices seemed higher. Water was only a buck a bottle so that is all I spent all day at the festival.
The R.C.M.P. were strolling the grounds and provided one of the highlights of the festival when an officer that was easily 2.0 meters tall went down on his knees to talk to a small child. Canada still has one of the best police forces anywhere in the world.
In conclusion, the highlights were the R.C.M.P., Banners (the band), the sun that felt nice after the rain when it broke through the clouds and the nice gear that the bands played with. Next year? I have to see the lineup before I commit to that. Next up this year though is Interstellar Rodeo and the Edmonton Folk Music Festival, both of which have acts that I am excited to be seeing live.
Birds of Chicago/Steep Canyon Rangers
I had listened to the Steep Canyon Rangers before the evening of Friday, June 23rd at the Northern Alberta Jubilee Auditorium, but to be honest, it was only because I had listened to Steve Martin and they were performing with him. My impression of them from that limited listening experience was that they were one heck of a good band, and they are. They have been racking up awards since 2006 when they won Emerging Artist of the Year from the International Bluegrass Association all the way up to a Grammy in 2012 for Instrumental Performance of the Year. They have good credentials so I was looking forward to a night of good music.
I received more than I expected, the evening began with The Birds of Chicago, a trio from where else, Chicago. The band is led by the married couple JT Nero and Allison Russel, a transplanted Canadian formerly of the group Po’ Girl. They were accompanied with a third member on guitar and slide resonator whose name slipped by my ears. The Birds of Chicago had played at the Edmonton Folk Fest last year so we were familiar with them but the set tonight took me away to a very pleasant place, a happy place. The songs swooped and danced gracefully like a bird in flight. They held the audience in the palm of their hands. It is rare for an opening band to get a standing ovation but The Birds Of Chicago deserved it. A true delight to hear them live again. Fortunately, they are coming back to Alberta this summer on the folk music circuit, playing Grande Prairie and Edmonton in November.
After a short turnaround, The Steep Canyon Rangers opened the show with what could only be called one hell of an opener. It built energy as each member of the band strolled onto the stage and built on that until it felt like they had given it all they had. They hadn’t, there was plenty more to come. They weaved between folk ballads, bluegrass, Americana, a few classical overtones and at moments it felt like a jazz jam session. One of the highlights for me was a number in which they all played their instruments as percussion, it worked and it was spellbinding. Percussion mandolin, percussion upright bass, percussion guitar, it was incredible. These gentlemen not only know how to play a great variety of music, they do it smoothly with both professionalism and intimacy. At times it felt like we were at a family hoedown and on one tune The Birds of Chicago joined them for a number where they all gathered around the microphone for a sing-along. Great stuff.
It was a magical evening of music that will linger in my memory for a long time. Another bonus is how personal they are, both groups did a meet and greet in the lobby after their sets where they signed CDs and we were fortunate to get a set list from the Steep Canyon Rangers that they all graciously signed. A perfect end to a truly memorable evening of music.
Reverend Horton Heat
It’s Saturday night and I’m in the Starlite Room. This is going to be a good night because those two go together like peanut butter and jam.
PB&J was not on the menu, however, tonight will feature The Reverend Horton Heat, Unknown Hinson and Igor and The Red Elvises. This is no cheap buffet at the hospital cafeteria, no sir it wasn’t. It was more like a smorgasbord of sound that became music for our ears.
There was no time wasted warming up, The Red Elvises roared onto the stage and set a beat down that got the crowds attention, and not just because they had a good beat going, they were eye candy as well. The bass was actually a bass balalaika, huge, red and a very rich bass sound.
The drummer was sequinned and was laying down a driving rhythm to accompany the bass and keyboard, and then Igor arrived. If anyone thought the band dressed flashy they were about to be awed by the leopard printed, and who knows what else, silk printed suit of Igor. Igor, the East Bloc Elvis plays a mean electric guitar and wings songs about the KGB, bacon, and Monsters From Mars. It would be too easy to dismiss Igor and the Red Elvises as a novelty act, they were talented, fun and got the crowd jumping, pumping and warmed up for the Heat that was about to come.
The Reverend Horton Heat that is, aka Jim Heath, the psychobilly whirlwind from Texas fed off the energy that Igor and the Red Elvises had started and wound the crowd up to a new level of frenzy. They plowed into Victory Lap, the opening track from their newest release on Victory Records and seldom lifted their foot from the gas pedal after that. Jim Heath is a talented singer and songwriter as well as a master of rockabilly and psychobilly guitar. A very personable man who interacted very well with the audience and told stories about the band and how those stories often became songs.
About mid-set, I lost track of time, they had a short break and upon returning played one song and then introduced Unknown Hinson. Unknown Hinson is an American singer, musician, songwriter, and voice actor. He is perhaps best known for his role as the voice of Early Cuyler on the Adult Swim animated series Squidbillies. There was obvious chemistry between The Horton Heat band and Unknown Hinson because they rocked the house, Hinson is a very accomplished guitar player and was a joy to hear and see in person. I loved the suits that Unknown Hinson and Jim Heath wore, They were Texas gentlemen to a T.
Unknown Hinson left the stage after about 6 songs and Reverend Horton Heat settled in for a few slower songs and a few more stories and then they left the stage. Coming back for the traditional encore, their drummer started a solo that covered every surface of his drum kit, the upright bass, random glasses held high by front-row audience members and then back to his kit for a power closer. And then the rest of the band stepped for a few more songs that eventually led to Hinson returning for an extended jam with the full band. It left me breathless.
The Starlite room raised the bar with this show, which I rate as one of the all-time best that I have seen at this venue. Every single musician gave their all for the show and the audience bounced, jumped, danced disco and even did a conga line to show their respect for the people on the stage. It was fun, occasionally funny, and totally engaging and entertaining. A good time, a really good party on a snowy Saturday night in Edmonton, with The Heat turned up.
“And That’s a Wrap Folks”
In the two thousand and sixteenth year of our Lord I listened to a lot of music; live, digital, vinyl, cassette and in our basement, not sure if that’s alive or not some days.
2016 saw the store that I work at, Record Collectors Paradise, celebrate a year of existence. And it was a very good year. We made lots of friends in the Edmonton, and international, music community. I was privileged to listen to a lot of great music in the store, one of the perks of working there; and the opportunity to take some choice pieces of vinyl home as the fruits of my labour. Bruce Romaniuk, the owner, is one of the best men I have ever worked for. Thanks for a very good year Bruce.
I didn’t just spin records, I also had the privilege of listening to a lot of really good live music. Edmonton seems to have had a resurgence in the live scene with new venues like “The Needle Vinyl Tavern” bringing in some great acts and established venues such as the Winspear continuing their tradition of great music. It was also the year that I got to hear my son Joel lead a band of his own and listen with pride as they did their first gig. It was worth the sacrifice of turning our basement into a recording studio and practice space. I hope the best for “The New Romancers” in 2017 and who knows, perhaps we can jam on “Alone and Forsaken” some day.
Having rambled on it is time to get to the list. I don’t do best of lists, or top ten, or play favourites. I am making a list, that I have checked twice; and listened to more than twice. But that is all it is, a list. In no particular order: Peter Gabriel and Sting live at the Northlands Coliseum. I have been listening to Peter Gabriel since the mid 70’s and to see him play live was a total blast. He doesn’t just play a show, he presents a show. He works the stage, the audience and the band and it all comes together in a spectacle that amazed and left me wanting more. Sting was an admirable showman but I never gravitated to his music in the same way as I did to Gabriel’s. An A+ show, the sound was probably the best I have ever heard in that venue.
We had the privilege of seeing an up and coming band perform songs from their new album the day before the official release. The band was Whitney and they played on a double bill with Unknown Mortal Orchestra, who were the band that I actually paid to see; but I left with a deep appreciation for both bands. The Unknown Mortal Orchestra put on an amazing show with superhuman use of their instruments, they worked hard and I loved the show. But Whitney surprised me. I didn’t know anything about them until that night and now they are the sweethearts of Indie rock, and rightly so since they have worked hard and crafted a superb album.
Speaking of surprises, “Who the f#ck is Sturgill Simpson” is a buzz word now after his nomination for a Grammy, album of the year no less. It surprised a lot of people, but not me. I had been listening to him for a while, this is actually his third album and my second favourite. I actually like “Metamodern Sounds in Country Music” more than “A Sailors Guide To Earth”, although it is a good album and fully deserves to be recognised as such. Having said all that; he puts on a damn fine show. Sturgill Simpson leads a tight band that knows how to rock, how to stroll, how to do R&B, and how to croon philosophy and make it sound like a foot stomping country ode. Despite a dreadful venue with shitty sound and a drunken obnoxious crowd, they put on a great show that makes me want to see him in a proper show hall such as the Winspear or the Jube. Won’t you please come back, Sturgill?
Speaking of country music, we got to see Corb Lund at the Jubilee Auditorium in February and that was a rollicking rocking affair. I have seen Corb Lund perform numerous times and have all his albums so there were no surprises awaiting me, he delivered exactly what I expected, a solid show that had us tapping our toes and singing along. The surprise of the evening came in the form of a one-off song by Geoff Berner, a sometimes singing companion of Corb Lund and company, and their rendition of “That’s What Keeps The Rent Down Baby”. Well played gentlemen, well played. After the show, there was the usual meet and greet and Corb graciously signed a business card from Record Collectors Paradise, it was a good evening.
Another Canadian act that impressed me in 2016 was The Strumbellas and their album “Hope”. We got to see them perform live and they are a great show band. They engage with the crowd, they banter casually and effortlessly and then launch into heartfelt occasionally raucous tunes. They do Canada proud.
Another Canadian band, it was a good year for us, that impressed me with a stellar album was BadBadNotGood and their album IV. I had listened to them previously but this album put a cap on it. A great listen, better on vinyl and big speakers because there is a lot going on and you don’t want to miss it.
Another album that has a lot going on and deserves more than one listen is “Skeleton Tree” by Nick Cave and the Bad Seeds. We went to the premier of the movie that documented the process of recording this album and it tugged at my heart strings, it moved me in my spirit and it made me stop and think. And then I listened to the album in the quiet of my home and it did all those things again. Powerful music from a man that I consider one of the true geniuses of music and lyrics. Spiritual, provocative, humble, moving, thought provoking and at times even bordering on rock and roll. This is not just a record, it is a statement.
And another statement, David Bowie and “Blackstar”. A few days after the album was released we found out what he was trying to tell us.
A few other gems that I listened to in 2016 were “Awaken, My Love” by Childish Gambino. This album was a departure from his previous material so don’t put off buying based on that. It moves into whole new areas and Donald Glover proves himself a master of R&B grooves and catchy hooks. A really solid listen.
Emeli Sande delivered “Long Live The Angels”, the follow up to her amazing first album “Our Version of Events”, hard to believe that they were four years apart. The wait was worth it in my opinion as she delivers a really tight and moving album.
Another act from the British Isles, Emeli Sande is from Scotland, is Slowly Rolling Camera and their album “All Things”; caught my ear this year. It is soulful, energetic and fresh. A new take on some songs that sound old beyond their years. That doesn’t make much sense; they sound good, that makes sense.
Glass Animals, “How to Be a Human Being” where a late addition to my list thanks to Joel’s addition of their album to our collection. Prior to listening to the album in our basement, I had never heard of them, but I thoroughly enjoy them now.
I enjoyed Ksenija Sidorova on the accordion at the Winspear with Bill Eddins and the Edmonton Symphony Orchestra. There were moments during her performance that I was lost in the music. A wonderful place to be.
To the left is a photo of us with The Zolas, a great band that we got to see three times this year and hope to see again.
And last but not least on my playlist of 2016, Syd Arthur “Apricity”. I got into Syd Arthur through remixes that they titled “A Monstrous Psychedelic Bubble”, gotta love that title. They are a progressive psychedelic jazz band that harkens back to Pink Floyd, King Crimson and that whole scene. A modern take with a freshness that is good to hear.
Speaking of Pink Floyd, a nice segue there, I have chosen them as my band of renown for the release of their previous material in the package “The Early Years 1965-1972”. I look forward to seeing Roger Waters in 2017 so check back to this blog in 12 months to see my review. Until then, it’s been a very good year and I look forward to dancing into 2017 with music both old and new, cheers my friends.
Joel’s 2016 Picks
This has been a big year for me musically, my band, New Romancer, played their first show, I started writing for The Spill Magazine, and I probably listened to more music than I have before. 2016 has also been a difficult year as many great musicians have passed away. Seeing as best of lists are a customary thing to do, I figured I should put one together. I decided to do an unordered list as I have a difficult time saying that one album is truly superior to another especially if they are among my favourites.
TOP ALBUMS OF 2016
BADBADNOTGOOD – IV
The suitably titled fourth release from these hip-hop Jazz fusion artists is a wholly enjoyable listen. With vocal contributions from the likes of Sam Herring and Charlotte Day Wilson, it shows growth and experimentation from these talented musicians.
WHITNEY – LIGHT UPON THE LAKE
It’s been a good year for Whitney they’ve garnered international recognition for their laid back, country twang inspired sound, and have toured extensively to promote their debut album. Light Upon The Lake is a captivating listen, and Whitney is a pleasure to see live.
SKIPTRACING – MILD HIGH CLUB
In Alex Brettin’s follow-up to Timeline, we get to see him further explore his Mac DeMarco inspire, 70’s radio infused sound. I found this album oddly difficult to put down as it takes influence from soft rock, Jazz, and even standard pop. A very unique and enjoyable mid-fi listen.
BAT FOR LASHES – THE BRIDE
I’m a big fan of concept albums. I really appreciate when an artist attempts to convey a story through their music. Bat for Lashes’ newest release relays the rather sorrowful tale of The Bride. This album contains her signature soaring vocals and is filled with interesting instrumentation. This was only made better by seeing her perform live.
CHILDISH GAMBINO – “AWAKEN, MY LOVE!”
Whether you love or hate Bino’s new direction, it’s undeniably interesting. “Awaken, My Love!” sees him leave behind rap for soulful R&B. I appreciate his attempt at switching genres and while the new style may shock fans of his rap, it will provide new areas for the talented Donald Glover to experiment with.
STRFKR – BEING NO ONE, GOING NOWHERE
I’m a longtime fan of STRFKR. I’ve played their previous releases countless times and I was very excited for this release. It contains everything I enjoy about STRFKR: introspective lyrics, catchy upbeat synths, and even Alan Watts samples. I wrote a review on this album if you want more details. I’m excited to see them live next year.
ANGEL OLSEN – MY WOMAN
This album was my first introduction to Olsen and I was pleasantly surprised. Her delicate vocals, interesting lyrics, and relaxed guitar playing create an interesting soundscape to get lost in. This record has been on repeat since I discovered it.
LASER – NIGHT DRIVER
While this is their first release as Laser, the musicians in this band are incredibly experienced. Laser is fronted by Lisa Lobsinger of Broken Social Scene and features some extremely talented musicians. This low-key album can be a difficult one to get into yet is oddly satisfying to complete.
BAND OF SKULLS – BY DEFAULT
I’ve been a fan of Band of Skulls ever since I heard their debut album. Their straightforward rock sound is perfect for getting pumped up or hitting the highway. By Default contains more of their distinct sound and highlights some of the talents hidden in this three piece band.
CHARLOTTE DAY WILSON – CDW -EP
I know this is technically an EP not a full-length release but I’ve loved this release immensely this year. I first got word of Charlotte Day Wilson from her appearance on BadBadNotGood’s IV, since then I’ve waited in anticipation to hear more of this talented artist. This soulful R&Bish debut EP is absolutely delightful and has some addicting vocal work on it.
DAVID BOWIE – BLACKSTAR
One of the most talked about musicians this year was the late David Bowie. One of music’s biggest innovators and influencers released one last stunning album before passing away. Definitely a good album that has rendered new meaning in his death.
I went to 33 performances this year. Here are my favourites.
THE ZOLAS W/FAST ROMANTICS @ UNION HALL MARCH 31, 2016
I always enjoy seeing The Zolas, this time was made extra special due to us being invited to their Sonic 102.9 radio session. After meeting them at the session and seeing their show that evening I was impressed. I was even more impressed by the band’s ability to recognise us after their show with The Strumbellas later in the fall.
BAT FOR LASHES @ UNION CHAPEL MAY 16, 2016
This was a magnificent performance by an artist I had been dying to see. The Union Chapel was a perfect venue to see her perform excerpts from her then-unreleased album, The Bride. This intimate concert gave me a new perspective on Bat for Lashes and also reinforced my appreciation of old churches as concert venues. This concert was filmed and portions have been released.
UNKNOWN MORTAL ORCHESTRA W/WHITNEY @ STARLITE ROOM MAY 24, 2016
When attending this concert I wasn’t very familiar with the works of either band. I immediately garnered fandom for Whitney and appreciation for Unknown Mortal Orchestra. Whitney blew me away with their unique styling and instrumentation. I’d gladly go see either act again.
OF MONTREAL W/MOREWINE AND MITCHMATIC @ THE NEEDLE VINYL TAVERN JUNE 19, 2016
of Montreal is a rather bizarre band. Their show was packed with energy and musicianship. It was truly fantastic to see this act on their first trip to Edmonton. Opening for of Montreal was local talents Morewine and Michmatic both of which performed excellent sets and continue to be active in Edmonton’s music scene.
STING AND PETER GABRIEL: ROCK PAPER SCISSORS @ REXALL PLACE JULY 24, 2016
It’s always special when artists collaborate and share a stage. It’s even more special when two legendary artists like Sting and Peter Gabriel do it. This performance featured the two covering each other’s material, singing their own songs, and working together to create an exceptionally symbiotic stage.
STURGILL SIMPSON @ UNION HALL AUGUST 14, 2016
Sturgill Simpson has been making waves in the country and popular music scenes. His rants have made headlines and his Grammy nomination has stunned most everyone. It’s for these reasons that he makes the list. His actually fantastic performance was overshadowed by the terrible venue and absolutely awful audience. Sturgill is awesome. Union Hall can eat a bag of dicks.
AN EVENING WITH DAVID CROSBY @ WINSPEAR CENTRE SEPTEMBER 12, 2016
David Crosby is a legendary musician, most well known for his work with the Byrds and Crosby Stills Nash and Young. His intimate and relaxed performance featured his playing some of his old material, doing the occasional cover, and showcasing his newest works. Just Crosby, a guitar, and his son at a piano resulted in an empty looking stage yet a full sounding hall.
TOKYO POLICE CLUB W/THE ELWINS AND BORN RUFFIANS @ STARLITE ROOM OCTOBER 8, 2016
My goodness, what a lineup for a single night. These three indie bands have been on fire the past few years with their releases surging over airwaves and their concerts garnering attention. Up+Downtown a relatively new multi-venue music festival brought these and many more artists in town for a weekend of music. Hopefully, next year’s festival will have as good of a lineup.
PURITY RING W/HANA @ WINSPEAR CENTRE OCTOBER 21, 2016
While the Winspear Centre is typically associated with the Edmonton Symphony Orchestra and other highbrow acts it is a fantastic venue for artists of all styles. Electronically based Purity Ring and HANA had the venue’s acoustic properties pushed as their thumping bass lines and soaring vocals ripped through the hall. I wrote a review of this hometown show.
JAMES VINCENT MCMORROW W/ALAN RAYMAN @ WINSPEAR CENTRE NOVEMBER 21, 2016
I very much enjoy seeing James Vincent McMorrow live. His last performance at the Winspear was a solo tour de force and convinced me to go see him again. This time he was in the company of his band to promote his newest and fullest-sounding album yet. Joining him for this leg of the tour was the mysterious and artistically interesting Alan Rayman.
Welp, there’s my picks for this year. Hope 2017 is even better.
Corb Lund Concert Review
I don’t remember the first time I saw Corb Lund play live, must have been back about ’06 or ’07. It was in Churchill Square, or the Concrete Polygon as we like to call it. I think it was for the food festival, anyhow, I was working at Hope Mission at the time so Valerie and Joel met me there and we walked over to Churchill Square to catch his show. Some of my co-workers were already listening to his music and I knew they had good taste in music so I thought it prudent to hear what they were listening to and raving about so much.
My suspicions were confirmed, they did have good taste in music. Corb Lund and his band delivered a crowd-rousing show that left me wanting more. So I went to the store and bought two CD’s: Modern Pain and Five Dollar Bill.
The Music resonated with me. It spoke of things I was familiar with and we humans do like the familiar even when it is new.
I had been raised on country and western music. My Dad was a guitar player heavily influenced by Hank Williams and the Carter family with a little Flatt and Scruggs thrown in. In fact, I didn’t know there were other kinds of music until my teen years when I was introduced to rock and roll. Since then I have been on a life-long journey of new musical discoveries, everything from ABBA to Zappa but always retaining a love for country and western music.
Corb Lund was a breath of fresh country air in an era when most country and western music was barely discernible from pop music. Corb Lund knew his musical heritage and didn’t stray too far from the template.
On February 6th at the Northern Alberta Jubilee Auditorium, henceforth know as the Jube, I was able to revisit the music of Mr Lund and it warmed my soul. His music has changed, not a lot, but it has matured and grown with him. His lyrics are the icing on the cake for me though. In his early albums I tapped my toes along to “We Used to Ride ’em”, and I really used to. I could relate. I used to ride ’em, not for very long, but I did. I was good for six seconds but that isn’t enough in a rodeo. I used to ride ’em though and Corb Lund gave me a song about it. And then “The Truck Got Stuck”, I was there. The only difference between a 4 wheel drive and a two wheel drive is that the 4 wheel drive gets stuck further in. I got stuck more times that I care to remember, even had the Hutterites pull me out once. I laughed as a flood of memories washed over me in tune to “The Truck Got Stuck”.
Corb Lund delighted me and many others that February evening with a well-rounded show of both golden oldies and new tunes. His backing band were amazing, being an envious guitar player wannabe I was particularly impressed by Grant Siemens. He blew me away with his guitar, mandolin and lap steel playing. Now I want a baritone guitar, thanks a lot Grant. Another highlight of the evening was a guest appearance by Geoff Berner singing “That’s What Keeps The Rent Down Baby”. A seriously hilarious song that resonated with me from the years that I worked in the inner city with the homeless, marginalised and wonderful people that live there. Mr Berner sang with The Hurtin’ Albertans backing him up and it was good. After the concert, Corb Lund was in the lobby signing and smiling but there was a road weariness evident in his face. He was polite and gracious but stopped short of being in the moment, I understand. It’s not an easy life and after working hard for an hour and a half he probably would have enjoyed a quiet room with a view instead of groupies and autograph hounds. I am in the latter bunch, an autograph seeker. He was polite enough to do two signatures for me and with a third on a record that I bought at the merch table, I left the Jube a happy man.
If The Corb Lund Band, The Hurtin’ Albertans or The Smalls ever play your town I would highly recommend taking the opportunity to hear them live. They are good on vinyl at thirty-three and a third but even better on a stage in your hometown (bonus if it’s Corb Lund’s hometown as well).