If you throw enough music at my brain, some of it will stick, some will leave a smear, and some will fall away, never to grace my turntable a second time.
Some of the exceptional music not only sticks but spins into earworms or, best of all outcomes, form a groove of their own in the wrinkly stuff inside my head.
Pink Floyd did that to me in 1973 when they released Dark Side of the Moon with the standout track Us and Them. More recently, in 2001, 16 Horsepower’s album Hoarse established a home in my head. In 2009 The Avett Brothers did it to me with their album I and Love and You.
Fast-forward to May 14, 2021, and the Swedish duo Fredrik Forell and Arvid Hällagård, collaborating as “Pool”, have released ‘You & Us’ via Something Beautiful, their debut album. Having press privilege, I was able to preview this album and post my impression of it back on May 11 of this year. It quickly ploughed a groove through my auditory cortex into my cerebrum, where it established a home.
The remainder of this post contains some text from the review that I did on April 11.
ArvidHällagård handles the lead vocals with a voice that sends chills up and down my spine. ‘You & Us‘ see Fredrik Forell and Arvid Hällagård telling it all in a strikingly raw and unadulterated rumination of loss and sorrow. Going through a divorce as the album was taking shape, Arvid’s heartache beautifully translates into something we can all witness and understand. The record follows the painful journey of putting a relationship to rest, recognising its shortcomings and beginning to move on from start to finish. His vocal style has an almost haunted quality which serves him well on tracks such as the opener “Grave“. About the album’s title track, You & Us, Arvid says, “These are some thoughts about how she and I felt during the relationship, how you have to handle yourself, and at the same time an ‘Us’. Mostly it’s about how hard a relationship can be, having a first kid. You expect it to be in a certain way, and the disappointment when those expectations turn out to be unreal.”
Multi-instrumentalist Fredrik Forell adds the music that verges on Americana folk but opens up new sounds that left me wondering what the hell that was.
I love it! If iTunes had grooves, I would have worn out this album by now. The lyrics and music combine to create a portrait of pain. “You and Us” walks us through the journey of love, love lost, love that never was and love that needs room to grow.
A killer track on “You and Us” that caught my ear was “By The Old Noon“. It was an instant earworm for me. Take what sounds like a banjo and then add some samples, mix them all with the remorseful lyrics, and you get a song that keeps hitting the repeat button and keeps me wondering, “What the Hell was that?”.
I could go on and on waxing poetically about this EP and the sheer brilliance of this album, but I will leave it for You & Us,I and Love and You and Us and Them to enjoy for yourselves.
I have gotten into the habit of documenting my listening habits over the spaces of time to seeing if I could glean anything meaningful from those statistics. With over 500 unique albums listened to over the course of 2020 I had some sifting and sorting to do.
Did I find anything worth writing about? I think there are some insights that can be gleaned from these lists. For instance, which albums did I listen to the most based on the year they were originally released?
The top spot in that category was taken by the year 2020 with 96 unique albums listened to. This statistic did not surprise me in the least because I like listening to new music. Second place was 2019 with a significant drop to a mere 19 albums, not as many as 2020 but these were still relatively fresh and deserving of another spin around the turntable.
For third place I took a big jump back to 1971 and 1978 with 18 albums released in each of those years that I listened to. The next three most listened to years are all in the 1970s, which came as no surprise to me. In 1970 I turned 16, got a summer job and bought some records with the money from my first foray into the working world. In 1973 I graduated from high school and two days later got a full-time job with a decent salary that helped feed my appetite for music. After the 1970’s my listening jumped all over the place from 1958 to the present.
The next stat is for how I listened to all that music. Thanks to Covid-19 and isolating at home I decided to go through our vinyl collection, starting at A and going through the alphabet. I didn’t listen to every album but I did listen to 210 slabs of vinyl. iTunes came in second with 146 albums that I listened to. I only listened to three cassette tapes in 2020 and no 8-track or reel to reel tapes. I should mention that these statistics are all for full albums, I do not keep statistics for single releases or album samples.
The next category is for the most listened to artist in 2020, and the winner is Pink Floyd, with eight albums in 2020 that I listened to. ‘A Momentary Lapse of Reason’ was the only album with two listens, which is interesting to me because I am a huge DSotM fan, 1973 right!
Second place was Daniel Amos with eight albums and two listens to their album ‘Mr. Buechner’s Dream’. These two come as no surprise to myself or anyone who knows me, the two artists are longstanding favourites for me.
The most listened to album goes to ‘Greatest Hits’ by Various Artists. This happens every year, for some reason I like listening to compilation albums such as this one from K-Tel, which I bought in 1973 from the Hudson’t Bay store in Grande Cache shortly after I graduated from high school, if my memory serves me well there were only about a dozen of us in the grad class.
After that there was a log jam for the most listened to albums of 2020 with these all tying for the top spot:
‘Hermit of Mink Hollow’ by Todd Rundgren
‘Lateralus’ by Tool
‘Shades of Deep Purple’ by Deep Purple
‘Western Swing & Waltzes and Other Punchy Songs’ by Colter Wall
‘The Beatles’ by The Beatles, aka ’The White Album’.
The final observation is for the 2020 album of the year award.
Wait, I don’t do album of the year awards.
What we do have are some of my favourite listens from 2020, with a heavy emphasis on the word some.
Bob Dylan: ‘Rough And Rowdy Ways’. I saw him live in concert in 2017 and that was not a pleasant experience, this album restored Dylan to my good books.
Gwenifer Raymond: ‘Strange Lights Over Garth Mountain’. I had never heard of her before this album came out, and now I can’t stop listening her. An achingly beautiful album.
Colter Wall – ‘Western Swing & Waltzes and Other Punchy Songs’
Colter Wall came roaring out of Saskatchewan playing honest country and western music and with this, his third release, he builds on what the first two laid down and then upped the ante.
Speaking of good C&W music, Sturgill Simpson – ‘Cuttin’ Grass ‘, entertained me for hours.
Sturgill Simpson is like Colter Wall in that I have been listening to his music since he released his first album back in 2013. His newest, ‘Cuttin’ Grass’ is both a departure and a return. It is different from his last release and similar to his first. I have played this on vinyl, and it sounds incredible.
Lucinda Williams – ‘Good Souls Better Angels’ I am a latecomer to Lucinda Williams’s music but having found it I only want to hear more and this release sounds might fine.
Neil Young – ‘Homegrown’ I have been listening to Neil Young’s music since the day before forever. This is reminiscent of some of his early stuff, more acoustic and folky.
Steve Earle and the Dukes – ‘Ghosts of West Virginia’ All I knew about Steve Earle was his big hits, Guitar Town and Copperhead Road. Until last year, when I started streaming some of his music, and then this album came out and now I have my ear glued to his music.
The Avett Brothers – ‘The Third Gleam’ I keep ‘Emotionalism’ and ‘The Carpenter’ in fairly steady rotation, at least once a year and now this recording will start that round dance with them.
Colter Wall, Sturgill Simpson, Lucinda Williams, Neil Young, Steve Earle and The Avett Brothers are all to the Country and Western music of today in same way that Willie and Waylon and the boys were to the Nashville establishment back in the ”70s. Outlaw country isn’t dead; it’s alive and well in the hands of folks such as these.
Kronos Quartet & Friends – ‘Long Time Passing: Kronos Quartet & Friends Celebrate Pete Seeger’ The Kronos Quartet hasn’t laid down a lousy album, ever. This record is story telling at its finest.
Shabaka and the Ancestors: ‘We Are Sent Here By History’ This album is jazz, new jazz, attention-getting jazz. Smooth and raw and emotional. It is good music, nothing more and nothing less. I also nominate this for album artwork of the year. It is stark but it conveys a message by forcing us to focus on what is shown.
This brought to mind the album cover of ‘Unknown Pleasures’ by Joy Division, stark but striking in the same way. I also listen to ‘Unknown Pleasures’ frequently.
I hope you have enjoyed your 2020 musical experience, if nothing else it provided a soundtrack to the year through the gift of music. Some of these albums created a distraction away from the shit show that 2020 was. Demi Lovato created the best commentary on 2020 with her song‘Commander In Chief.’ Music also provided more than a few moments of pure pleasure. For each of the artists in this list and to all of the artists that I listened to but who didn’t make the final cut, thank you.
1969 I bought my first LP, Best of Bee Gees, easily identified by its bright yellow cover. I have to resist the urge to write it as Best of the Bee Gees; there is no ‘the’ in there. I played that album over, and over, and over. I knew every word to every song. I can clearly remember laying on the floor with my head in the middle of the two speakers on my parent’s record player. I don’t recall them ever complaining about listening to it so often, mind you Dad was away from home most of the time, Mom kept herself busy, and I didn’t turn the volume up to 11.
That was the only album that I bought that year, but I did purchase other albums from 1969 later on. Some of those albums that are still on my turntable include The Guess Who with Wheatfield Soul. Bob Dylan’s Nashville Skyline and Crosby, Stills and Nash, the story of that is below. The Rolling Stones compilation Through The Past, Darkly (Big Hits Vol. 2), Isaac Hayes phenomenal album Hot Buttered Soul, Abbey Road from the Beatles, and closing it with some more Guess Who, the crop is Canned Wheat this time. Some call 1969 the penultimate year of rock and roll. It closed the door on the 1960s with the Beatles dissolving as a band, the hippy era drawing to a shadow of its former self ( it never really went away), and rock and roll reinventing itself going into the 1970s. I may have only purchased one LP that year, but it was still an excellent year.
In 1970 I was travelling more, bin flipping in more record stores and with a bit more coin I was able to take home more music. I also was good at sticky finger shopping. A memorable addition to my music library from that year was a copy of Déjà Vu by Crosby, Stills, Nash & Young. I was introduced to this band by the clerk in a record store in Montreal. During layovers between flights, I would take a taxi to a nearby shopping mall that had a nice little record store, and the guy always had something good on the turntable that I would invariably take home. In 1969 he had Crosby, Stills & Nash on the turntable but I was short on cash so I just filed that away and in 1970 he had Déjà Vu up and playing, so that came home with me, Stills, Nash & Young would arrive later. Another special purchase that year was In the Court of the Crimson King by none other than King Crimson, although I heard it first in that same record store in 1969, like CSY, I had to wait a year to bring it home.
The list of albums released in 1970 is long, the list that I bought in 1970 is short, the two albums already mentioned and Woodstock: Music from the Original Soundtrack and More. I have a confession; I agreed to trade Woodstock to my friend Greg in exchange for the purple nazi helmet he had. I got the helmet, but he never got the album, and I have not seen him since then to make it right. If you ever read this, Greg, contact me, and I will ship the album to you. I do not have the helmet or the album as I write this. I also stole Suitable for Framing by Three Dog Night from the youth centre in Churchill Falls, Labrador. I don’t know who owned it, which makes restitution difficult. Some noteworthy albums from 1970 that I didn’t swipe and I am still spinning include Moondance by Van Morrison and The WhoLive at Leeds. Atom Heart Mother by Pink Floyd is notable for its excellent cover art and a long-standing relationship between The Pink Floyd and me.
1971, a new year and some new music, I was back in Alberta and access to new music was a bit difficult living in the little town of Czar. I managed to snag Aqualung by Jethro Tull, which triggered an interesting event. My Mom, who was super religious and my Dad, who was super narrow-minded about music, challenged me about Aqualung, so the three of us listened to it and talked about the lyrics. I don’t know why they did that. It was a weird experience. Another memorable piece of music that I acquired in 1971 was Imagineby John Lennon. It was my birthday present from Mom, she didn’t like this one either, but we didn’t sit and listen to it together. After Aqualung they let me put the stereo in my bedroom, so they didn’t have to hear it. 1971 makes for a long list of releases that I still listen to, including 4 Way Street by Crosby, Stills, Nash & Young, an album that I consider one of the best live recordings of all time. Sticky Fingers by The Rolling Stones, another example of great cover art with its iconic zipper. It Ain’t Easy by Long John Baldry, and I brag that I managed to see him live at a show in a bar in Red Deer. I had a signed copy of the album cover from that show but lost it along life’s highway. A few other albums worth mentioning are A Space in Time by Ten Years After which I loved to listen to on the quadraphonic sound system that I briefly owned. The music surrounded my head and was very trippy, nod, nod, wink, wink. Who’s Next and Meaty Beaty Big and Bouncy a pair of albums that year by The Who. Meddle by Pink Floyd and Pawn Hearts by Van der Graaf Generator kept my psychedelic groove going. Van der Graff Generator is an often overlooked band that I got into early in the 1970s and still enjoy listening to, especially the Pawn Hearts album.
I’ll close this brief disclosure on what I listened to as a young man. As a young boy, I heard my Dad play mostly Hank Williams, and we had a handful of country and western records that seldom got played. It was when I hit about 15 years old, 1969, that I got into serious listening. I’ll close out this era at 1973, the year that I graduated and transitioned from a schoolboy buying records with money from allowance and part-time jobs to a working man with a steady income. That steady income meant buying more records to play on the stereo that I bought so Mom and Dad could have theirs back. They had given it to me as a bribe to keep me in school till I graduated. It was a good investment. The Dark Side of the Moon by Pink Floyd, I’ll let Wikipedia explain it.
“The Dark Side of the Moon is among the most critically acclaimed records in history, often featuring on professional listings of the greatest albums. The record helped to propel Pink Floyd to international fame, bringing wealth and recognition to all four of its members. It has been certified 14× platinum in the United Kingdom and topped the US Billboard Top LPs & Tapes chart, where it has charted for 950 weeks in total. With estimated sales of over 45 million copies, it is Pink Floyd’s most commercially successful album and one of the best-selling albums worldwide. In 2013, it was selected for preservation in the National Recording Registry by the Library of Congress for being deemed “culturally, historically, or aesthetically significant”.”
I bought this as an LP in 1973. I added an 8 track copy and a cassette later that year. As of today, October 12, 2020, there are ten copies of it in our music library in all of those formats. I can remember driving around town with the windows down and the volume up listening to DSotM over and over. Little has changed. I am a bit chubbier and have fewer hair follicles, and what hair I do have it is a lot shorter. Other than that, I still enjoy hearing this album, and I occasionally can yet be seen driving with the windows down and the volume up on DSotM.
There is one other album that defined 1973 for me, that album is Bachman–Turner Overdrive. It doesn’t grace the turntable as often as some of the other era albums, but it still brings a smile to my face and good memories.
That closes out this definitive time of transition in my life. I travelled extensively, gathered plenty of good experiences and listened to a lot of good music. Many, many good albums didn’t make it to this blog. I didn’t want this to be a long and tedious list; it is a snapshot of me. Me from 1969 to 1973. Happy listening and play safe.
They are fresh, different and incredibly good musicians that I want to see live, perhaps on my next trip to the U.K.
Most Listened to New Release Of 2019
III by The Lumineers, this album grabbed my ears and I didn’t want to stop listening. I think it may be because of the content of the songs, they are built around the stories of people struggling with addiction, which creates struggles with relationships, and struggles with life in general. I could relate to what I was hearing and that encouraged me to hear it again, and again. In fact, I am going to listen to it again right now.
Most Listened to Album
The Witmark Demos: 1962-1964 by Bob Dylan, for some reason 2019 was the year of Bob Dylan. Perhaps I was trying to erase the memory of his live concert at Calgary in 2017 which left a dirty taste in my mouth. Anyhow, I listened to this CD set over and over and over. For a Dylan fan, it is a very well done time capsule of his early years as a recording artist, we find him trying out some folk standards alongside some new material. It may not be the best recording if you are a new fan of Dylan, but for a long time fan such as myself, this was a very rewarding listen.
Most Listened To Artist With A New Release In 2019
Tool. Their album of the year, Inoculum, was a close second to III by the Lumineers, but Tool was the most listened to artist because after multiple listens to Inoculum I would then listen to their back catalogue and then I would return to Inoculum which meant that as, an artist, Tool achieved the most listens by any single artist of 2019.
Best Album Artwork/Packaging
Tool, Fear Inoculum. A double winner and justifiably so, the music and package worked together and were so well crafted that it would be a sin to not mention is.
Most Listened To Artist Of Any Year
Bob Dylan, it was a runaway this year, I listened to him twice as many times as the second-place artist.
Most Listened To Band Of Any Year
King Crimson, they edged out Pink Floyd this year even allowing for the viewing of Roger Waters: Us + Them (Film Screening) @ Cineplex South Edmonton October 2, 2019. I only listened to two King Crimson albums twice, the other dozen listens were of a dozen different recordings by the band, yeah, I do like them a bit. I was also influenced by seeing them live again this year.
Most Listened To Format
I would have bet that I listened to more streaming music including Apple music but to my surprise, I listened to more music on CDs than any other format. Apple Music came in second and LPs were third.
Close Talker presents Immersion: (3d-360 Headphone Concert) @ Art Gallery of Alberta on August 6, 2019. This is brand new tech and I was grateful to be one of the first to hear it. I walked in there not knowing what to expect and walked out in awe. This is another one that I can not put into words, you have to hear it live to appreciate it.
I am so happy that my good friend, Todd, got the vinyl printing press up and running.
Concert Of The Year
A tie for this category which is no surprise because I walkout at the end of just about every concert saying it was the best. Many of the shows I saw this year were the best, unfortunately, many of them were only the best for a day. There were two however that kept their glow:
King Crimson @ Royal Albert Hall in London England on June 20, 2019, this one was a Christmas present and I loved every minute of the show in a venue that was actually on my bucket list of places to take in a concert. So many wonderful acts have graced the stage and now I can say that I was there. This was my second time to see King Crimson live, the first was in Calgary at the Jack Singer Concert Hall in 2015 and both shows were mind-blowing good. They remain a favourite of mine after many, many years of listening.
Godspeed You! Black Emperor w/Kevin Doria @ Starlite Room August 27, 2019, was the other show that topped this category. They are an amazing collective of amazing musicians that held me spellbound from the moment they graced the stage till the moment they walked off. This wasn’t just a music concert, it was an event. The lighting was provided by four projectors at the back of the house, we were right beside them, that a very talented gentleman used to such good effect that he should by all rights be listed as a member of the band. I can’t describe it in mere words, you had to be there, if they come back to Edmonton grab some tickets, I will be there for sure.
Twenty Nineteen was a good year for music. It started slowly with only a handful of live shows here and there and not many new releases that hooked their riffs into me, but the pace gradually crept up through the summer and it ended up being another good year for music in my sphere of listening. There were numerous live shows and way too many albums that deserve to be on year-end lists, but I don’t want to bore you to tears by listing them all here. You can check out our live show compendium at WeatheredMusic.ca and if you want to know everything that I have listened to this year send me an email and I can send the list with all the albums, 567 so far but I have 10 more days to go as I write this. Bon voyage, I am off to see 20-20.
I am reading “Rock and Roll Will Save Your Life” by Steve Almond and he devoted several pages to the evolution of listening to music that has transpired within our lifetimes. Yes, we both acknowledge this dates us but we are OK with it because it also means we have listened to a truckload of music.
I don’t agree with some of Steve’s chronology so I will just offer a vague summary of his list: The radio era, the phonographic era, the 8 track era, the cassette era, the CD era, and last but not least, the digital era.
This isn’t a bad list but I think it is overly simplistic, however, I am not here to debate the various era’s of music, what I do want to talk about is how we listened to music differently through those eras.
I would offer another era to this list, the era of live music which predates any of these recording methods and is still going strong, just different. When I was a young lad my Dad played the guitar at home and at parties. There were wedding dances, high school dances and impromptu music wherever musicians gathered. And gather they did, we had family reunions, music at campsites, and even at a funeral. My Dad’s remembrance service was close to 3 hours long and half a dozen musical groups played a tribute to my Dad for his contributions to live music over the years.
Live music was the only way to listen to music until technology started giving us a plethora of recording methods that allowed us to experience music where ever and whenever we wanted to listen to it.
There are more than enough history lessons on the various ways that sound, and music, have been recorded so I won’t replicate what others have done. What I will do is talk about how listening has changed for me.
After the live music, there was the radio which people listened to for much more than just music. CFCW was our local country and western station and they catered to the farmers and ranchers as well as those of us who enjoyed the country music. CBC had talk shows and of course, Hockey Night In Canada on Saturday, I cheered for the Leafs because my Dad cheered for the Leafs. As a teenager I listened to 630 CHED which played pop music, I can remember listening to The Archies sing “Sugar Sugar” as we drove home after school. K-97 played music on FM starting in 1979, they introduced me to more than one album over the years and I contributed mixtapes to them that they played on-air and gave me some albums in exchange.
I had purchased my first piece of vinyl in 1968, “Crimson and Clover” by Tommy James and the Shondells. I picked that gem up in Vancouver while there on vacation and visiting my cousin Wayne. I returned the next summer and bought my first full-length LP, Best of the Bee Gees, and that purchase is where I lead off on my topic of how we listen to music.
I played that record over and over, my parents let me use their record player in my bedroom and I took full advantage of that freedom. In November of 1969, I bought my second full album and I listened to it over and over. Summer of 1970 and I bought more records, Montreal had a very nice record shop that introduced me to “Déjà Vu” by Crosby, Stills, Nash & Young” as well as “In the Court of the Crimson King” by a band that is still very high on my favourites list, King Crimson.
Anyhow, listening. How did I listen to music in the decade of the 1970s? I listened intently, I hung on every word. We didn’t have https://genius.com/ to find the lyrics for us so without lyrics printed on the inner sleeve we listened intently, trying to hear every word and string them together for a musical story within each song and sometimes through a whole album. I listened for the sounds that the different instruments played within the songs, how they ebbed and flowed and added texture to the song. I read the liner notes for every tidbit of information such as who produced the album, who played what instrument (s), where it was recorded, etc.
I listened intently over and over until I knew those records start to finish. It was often a long time between record stores so I got my money’s worth out of every album that I bought.
And then cassette tapes came along and that changed the way I listened and interacted with music. I made mixtapes, yes, they were a real thing and not just in The Guardians of the Galaxy. I would listen to albums over and over and then put select songs on tape that I could listen to in the cassette deck in my car. Music became mobile and not just on the radio, I was now able to listen to what I wanted when I wanted it.
I bought my first set of headphones in 1973 and that also altered the way I experienced sound. They were quadraphonic which also changed the way I heard music. The technology was moving forward at an accelerated rate compared to the advances of the previous couple of hundred years.
I had an 8 track someplace within the late 1970s but I never got into that format very deep. The next leap was to CD’s in 1985, they were introduced to the public in 1982 but I waited a few years for the price to come down and my wages to go up, which both accommodated me favourably. I didn’t sell off my records to buy CDs as many people did, I kept my records spinning and added CDs as an alternate for listening. The biggest change that CDs made to my listening was the ability to listen to a whole album start to finish without having to get up and flip it, I could now listen to 80 minutes of music non-stop. The trade-off was the size of the packaging, I could barely read the liner notes because they were so small on a CD, compared to those on a record.
The biggest change in my listening habits had nothing to do with formats. I listened to all the formats, but I didn’t listen to them the same way in the 1990s as I did in the 1970s and that is still true, up until now.
I added albums to my collection at a dizzying rate and by 1989 I had accumulated 999 records and was on my way to similar numbers in CDs and cassettes but that accumulation came at a cost, I now listened to more volume but less content. I was listening to more and more music but paying less and less attention to what I was listening to and with the advent of digital music, I had even more content but less listening. So I made a decision to listen to some music in much the same way as I had in the embryonic days of my music listening. I left the CD in the player for days on end and listened to the same album over and over, just like I did for Best of the Bee Gees. I picked 20 albums and I listened intently to them.
So, in no particular order, here is what I listened to and how I reacted to the music that I loved so much in years gone by.
Déjà Vu by Crosby, Stills, Nash & Young. This recording has been on my turntable for 49 years, 7 months, 20 days, and I still love to hear it, start to finish, over and over again.
Kiln House by Fleetwood Mac. This is the only album by them that I listen to over and over again.
Surrealistic Pillow by Jefferson Airplane. This is another band that I only listen to one album of theirs, White Rabbit isn’t the only good song on the album.
No Guru, No Method, No Teacher by Van Morrison. This is his sixteenth album and it was released in 1986, I bought it on CD before buying the vinyl.
American Pie by Don Mclean. Yes, I bought it for “the song”, but I do listen to the whole album, just not as intently as “the song”.
Lust For Life by Iggy Pop. I love this album, start to finish. It’s a good listen for driving down the highway in the summer.
Sticky Fingers by The Rolling Stones. I still consider this as the Stones best recording.
Avalon by Roxy Music. Released in 1982, this was their eighth and final studio album but the first and only recording that I have of them.
Harvest by Neil Young. This came out in 1972, I bought it sometime around 1975 and saw him live in 1984. I still consider this the highest point in his musical career.
A Space In Time by Ten Years After. I bought this on vinyl in quadraphonic sound. It sounded amazing with headphones and still sounds good in stereo.
I Ain’t Easy by Long John Baldry. Saw him live in 1979 but he didn’t play a single song off this album which disappointed me because I loved this on vinyl.
Sgt. Pepper’s Lonely Hearts Club Band by The Beatles. I don’t remember when or where I bought this album but I have listened to it a gazillion times.
Buffalo Springfield by Buffalo Springfield. I bought it “For What It’s Worth” but have listened to it until I am “Going Out Of My Mind”.
Wanted! The Outlaws by Waylon Jennings, Willie Nelson, Jessi Colter, and Tompall Glaser earned its place in music history by becoming the first country and western album to be platinum-certified, reaching sales of one million. I added to those sales twice.
Sounds of Silence by Simon and Garfunkel. The sounds of record grooves eliminated the silence and the silence still plays.
Crime of the Century by Supertramp. This album has not lost its lustre even though it isn’t quite the album of the century, that would be number 20 on this list.
Who’s Next by The Who. Come on, I would have bought it just for the cover photo and kept it for the music.
Fear of Music by Talking Heads. I remember hearing this on K-97, an FM station in Edmonton who used to play album rock, I bought it on cassette first and then on record, CD and digital. Yup, over and over and over.
Aqua Lung by Jethro Tull, when this album came out my parents took a stance and they didn’t want me playing this record in their home, which of course meant I played it more, over and over.
Dark Side of the Moon by Pink Floyd. This album was released in March of 1973, I graduated from grade 12 in June of 1973 and bought this album with my first paycheque in July of 1973. I have since purchased about a dozen copies of this album over the years in vinyl, cassette and CD. The format doesn’t matter because the music is the medium.
The music is the medium is a statement by Marshall McLuhan, meaning that the form of a message (print, visual, musical, etc.) determines the ways in which that message will be perceived. McLuhan argued that modern electronic communications (including radio, television, films, and computers) would have far-reaching sociological, aesthetic, and philosophical consequences, to the point of actually altering the ways in which we experience the world.
I finished reading David Bowie’s biography by Marc Spitz. It was a good read with plenty of references to songs that I liked listening to while reading the book, which is tricky because I only read the book in my car and I don’t distract and drive. Anyhoo, that’s another story for another day, let’s just say for now that I listened to Bowie over the last couple of months which brings us to the topic of this posting. Namely, what have I been listening to lately?
Bowie, mostly his early to mid-career tunes. Space Oddity from his eponymous second album is still a great listen. Aladdin Sane is such a nice play on words, and The Jean Genie is as catchy today as it was in 1973, which is saying a lot because 1973 was the year I became a Drooling Fanatic (page 7 of Rock and Roll Will Save Your Life by Steve Almond).
I think I started into Bowie in July, just back from a jaunt to London where I scored Alladin Sane on vinyl.
I also scored Sons of Kemet, Your Queen Is A Reptile. Fresh sounds from the London jazz scene, thanks to Rough Trade Records.
What else have I been listening to? Lots of New Wave (ish) music. Nick Lowe, Soft Cell, The Psychedelic Furs, That Petrol Emotion, etc. The mid to late eighties new wave scene has been on my playlists since, well, the mid to late eighties.
Another band that never leaves my playlists are The Pink Floyd. I saw David Gilmore Live at Pompei on the big screen and then Roger Waters Us and Them on tour, on the big screen again, and in between those two stellar movies I read Nick Mason’s book, Inside Out. Which was as good as the movies, just a slower format.
Another perennial favourite of mine is King Crimson, who I was very fortunate to see live at The Royal Albert Hall in London. And of course, I came home with hard copies of their music so I can keep listening to them.
The Barr Brothers, saw them live and bought their CD’s and would pay to see them again.
Flash And The Pan, a group from Australia that I keep playing at least once a year. The song Hey St. Peter is a favourite of mine.
Talking Heads, Tom Waits, Joy Division, Tonio K., Van Morrison, Decemberists, Lifesavers, Michael Knott, The Swirling Eddies, Frank Zappa, … and the list goes on. A good chunk of this music dates me but I am comfortable with that.
We Are The City, I liked them live. Spiritualized, And Nothing Hurt, a great piece of music. Nuella Charles, some very good homegrown talent on our homegrown vinyl plant, https://moonshotphonographs.com/.
Low Roar, one of the best live shows I have ever seen and a darn good recording to boot.
Syd Arthur, tough to find hard copies of anything they have recorded but I managed to score Apricity on CD this summer.
Godspeed You! Black Emperor, an amazing show, simply amazing. Their records are good but live… I don’t have enough superlatives.
Russian Circles, a really good show that satisfied my heavy metal craving for that month. Best crowd award goes to the metalheads that were there that night.
The Needs, some good Scandinavian power pop. Völuspa, aka Kirsten Knick delivers some Scandinavian synth-driven pop music.
Rhye. I don’t know where to start. The spelling, yes that is spelled correctly, Rhye. The show, it was mesmerizing. I love it when all the ingredients come together and make the two hours fly by so fast it seems like the show just started, please don’t stop now!
Cody Jinks. His new album, After The Fire, got me hooked on him and I went on a binge listening to his back catalogue. I am hooked on him now and I hope he tours up here in the great white north much like another country rebel, Sturgill Simpson, who also dropped another great album.
Last but not least, The Lumineers, III. This album struck a chord with me due to its subject matter of addiction and messy lives.
So, that’s my summer and early fall listening, a new blog will be coming out early next week. Snapshot reviews. Until then, happy listening my friends.