Up and Down in E-town

up down town

Friday, October 5 and Saturday, October 6 were exciting and memorable evenings for me, I had the opportunity to listen to the music of some highly talented people, and it was excellent indeed. Up and Downtown Music Festival (UP+DT) has been going for six years, but this was my first venture into the adventure of this exciting format. UP+DT is a multi-venue festival that celebrates independent music in 11 different venues within the downtown area of Edmonton. They celebrate both local talent and artists from other parts of Canada.

Friday night saw us at the 9910 club which was a first for me in this venue. It is an intimate basement establishment with a wet bar on the right side wall as we entered, a few booths on the opposite wall and a small stage on the wall opposite the bar. nehiyawak was starting to play as we walked in and after a quick survey of viewing options, we stood facing the stage about five or six body counts from the front of the stage.

nehiyawak

We saw nehiyawak at the Interstellar Rodeo this summer and liked what we heard, so we were happy to see them again in a different context, from a big stage in an amphitheatre to a small setup in an intimate club. nehiyawak transitioned well. The sound in 9910 was excellent, it was a good volume and a good mix so kudos to the sound technicians.

I enjoyed watching and listening to nehiyawak, they enjoy making music, and that creates a feedback loop of us enjoying hearing them, which loops back to them. The drummer Marek Tyler was a joy to watch, he was ebullient, happy to be singing and doing percussion.  His cousin guitarist-vocalist Kris Harper plays a vintage guitar that looks almost bang on to my first guitar. A little gear envy on my part. The band is rounded out with the bassist, keyboardist Matthew Cardinal.

nehiyawak made my ears happy twice this year, and I look forward to more good things from this Edmonton based outfit.

After a short turnaround that stripped the stage down to one mic stand, a tuning pedal and a single guitar, Destroyer took to the stage, and we had moved up to the very front which put us about a meter away from him. I did say it is an intimate club, didn’t I?

Dan-Bejar

In 1995 Dan Bejar started Destroyer as a solo home-recording project. After a dozen full-length albums and several EP’s, not to mention his work in such notable groups as The New Pornographers, Dan was now on stage before us accompanied by nothing other than his vocal cords and his guitar.

I have a great deal of admiration for artists who can do that; there is no place to hide if mistakes happen. And mistakes do happen, we are still human after all, but a skillful musician such as Dan Bejar can work with that and keep the music coming. Destroyer played a set that kept the audience fixated, except for a few loud people at the bar. Which made for some good spirited banter between the bar crowd and the people in the crowd who couldn’t hear the music which led to humourous mediation by Destroyer.

Friday night ended on a bright note, and I looked forward to Saturday night at another venue that I had never been in before. CKUA is a much-loved radio station in Edmonton, and although I knew that they live streamed artists in the studios, I had never been fortunate enough to attend any of them, until now.

ckua alberta hotel

The station is in the old Alberta Hotel building which has been beautifully restored to house the radio station. The Performance Hall is a high ceilinged room in a ground floor room with decent acoustic treatment and excellent sound. Hats off to the soundboard operators, they did a good job.

lindsey Walker

The first set on Saturday night was Lindsey Walker. We had listened to Lindsey at a Sofar pop us show earlier in the year, and I was happy to hear her perform again. At Sofar Lindsey was solo, but on this night she was accompanied by Alex Vissia on bass and backing vocals, whom we had seen performing previously as a solo act, and Vicky Berg on piano, synth and backing vocals. These three ladies are very talented and their set zipped by leaving me looking forward to hearing them play together again.

Poor-Nameless-Boy

In the middle of Saturday night, we had Poor Nameless Boy,  Regina-based indie folk artist Joel Henderson and his band. I had not listened to any of their music before so I didn’t know what to expect, but in the end, I was happy that I got to hear them. Joel Henderson, who is the heart of Poor Nameless Boy, sings songs that sound at home on the prairies but are not constrained by any genre branding iron. He sings about people and the things that people do, and he can take the little things that often go unnoticed and turn them into a meaningful song. Poor Nameless Boy is a gifted singer and song craftsman who I would like to hear again.

arts.mauno

The closing act for the night was Mauno, a four-piece band hailing from Nova Scotia consisting of singer/guitarist Nick Everett, guitarist Scott Boudreau, bassist/vocalist Eliza Niemi, and Adam White on percussion. This band refuses to be confined by any genre or stylistic title. They play music, and they play it damn well. The music is technical, it is melodic, it moves my body and my heart. It makes love to the air that it touches. Mauno sings about life in concise and pointed lyrics that run with the whims of the music. It is artistic, and it is passionate. I enjoyed being able to see Mauno play live because they add so much more in a live show that a piece of vinyl cannot contain. Done, now I am going to go and listen to their record, TuningMauno Turning

Interstellar Rodeo 2018

Interstellar 2018

Inter- is a prefix occurring in loanwords from Latin, where it meant “between,” “among,” “in the midst of,” “mutually,” “reciprocally,” “together,” “during.”

Stellar – of or relating to the stars; consisting of stars.

Like a star, as in brilliance, shape, etc.

pertaining to a preeminent performer

Interstellar Rodeo 2018 was among stars, stars of the stage, stars of live music, stars of recorded music. It brought together stars from diverse cultural, musical and geographic backgrounds. We were indeed in the midst of preeminent performers. And it was good, oh my, the moments shine like stars in the sky.

Stars in the sky were a no-show with lots of cloudy and rainy weather across all three days. We were in line at the gates on Friday night when a monsoon moved in with lightning and hail, we braved it to the point of being soaked to the skin and knowing we would be cold and uncomfortable if we stayed. We went home, dried everything out and prepared for a better day on Saturday.

Saturday was stellar. The day started with Nêhiyawak, homegrown talent from right here in Edmonton. They played a set of prog and 1960’s psych inspired music that I found quite enjoyable. An excellent start to the day.

The Deep Dark Woods started playing against a backdrop of deep dark skies which soon turned into a torrential downpour with lots of lightning and everyone took shelter from the storm under the big white Heritage Amphitheatre.

 

After a spell, the rain let up, and the music restarted, I give credit to The Deep Dark Woods for not losing their enthusiasm and energy. They put in an incredible set, and I am enamoured by their sound.

Due to lack of space in a blog post, I am going to touch lightly and quickly upon many artists who deserve much more credit than I can generate in this space.

Jayden, an up and coming star is an example that I enjoyed hearing for the first time. The Mavericks, founded in 1989 and still going strong, showcased great Tex-Mex, rockabilly, and alternative country.

Ruby Boots, I am sure she is a very talented lady, but she got the short straw between The Mavericks and Lisa Leblanc which are two very high energy sets. Ruby Boots is a gentler soul. I hope to hear her in another setting someday.

Lisa Leblanc is from the far east, New Brunswick fer shure. She plays an eclectic mix of genre-mashing music. Margaret Glaspy was up next, and I had not previewed her music before the festival. I enjoyed her ability to play in a power trio; it’s not always easy being the only guitar but she pulled it off with ease.

Jay Gilday is a talented singer/songwriter hailing from Yellowknife. I look forward to hearing more from Jay.

The closer for Saturday was July Talk, a band that I was familiar with and looked forward to seeing and hearing again. Spellbound from the opening note to the very last one, I didn’t want their set to end. There have been a few bands over the years that do that to me. July Talk mixed high energy with fantastic stage chemistry that raced and staggered between songs with ease. Having July Talk close the Saturday set was an excellent choice by the Interstellar Rodeo organizers.

Sunday opened to gray and dreary clouds, but joyful music from Faouzia who is of Moroccan descent and plays music that is a mash-up of influences but a fun listen. I was particularly impressed by the power and cadence of her singing.

La Dame Blanche hails from Cuba and sings in Spanish, I don’t understand more than a handful of words in that language but whatever she was singing was terrific. I can not describe her show, Google it and see for yourself what I mean.

Diga hails from Behchoko NT, about as far from the climate of Cuba as you can get but his singing and playing are every bit as warm and personable. He is a song craftsman, enough said, go now and listen.

The Dead South, from Regina Saskatchewan, are an acoustic group that encourage foot stomping with their energetic mix of folk, western swing and paddle wheel gambling music. They sing quintessential country and western songs; dogs, broken hearts and drinking.

There were no songs about crows nests.

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Josh Q,  A staple of the Iqaluit music scene is a big man with a big heart who sings songs about a big land. He has a good voice and a nice sound going on with his guitar.

The Interstellar All Stars is a mix of musicians who have played the festival in the past, this year featured Jason Plumb and his band The Willing, Rose Cousins and Tim Baker. Tim Baker played in Hey Rosetta but is flying solo. All-star groups are a gamble, sometimes they work, on some songs they hit on every cylinder, but not always. That held true this year; there were moments that were amazing, but there were others that were a John Deere tractor running on 3 cylinders. A good effort by everyone and thanks for coming back to Edmonton.

An artist that I have wanted to see for some time now is Alejandro Escovedo who’s resume is a kilometre long. He started with some newer material including “Sally was a Cop” and then he turned it up a couple of notches, and the band went full-on punk with some incredibly powerful music that included a cover of David Bowie’s song “All The Young Dudes”. He even did Pete Townsend power chords. A great high energy set that brought the house to their feet. That was a high light moment of the Interstellar Rodeo for me.

Riit.

Courtney Barnett is another high light reel moment. She brought out the grunge and power for us, and it was good. She is a powerhouse from the land down under that sings songs that mix equal parts wit, humour and down to earth observations of life in general. Courtney and her band pumped up the volume, the Interstellar crew pumped up the light on the amphitheatre, and the crowd ate it all up. I left the festival grounds one happy camper, after two days of incredible music. I can’t wait to see what next years line up will be.

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A few off the cuff observations before I close this blog. Alcohol consumption. There were copious amounts of it. I like the SevenFest and The Edmonton Folk Music Festival where the drunks are more or less confined to small corrals and the people who came to listen to the music can do so without some loud drunk slurring down their collars. Why do drunk people keep talking louder and louder as they get drunker and drunker? And I really don’t care what your sex life is like at the moment! I know the Interstellar Rodeo makes a killing off booze sales but at what cost. Drunks that require heavy-handed security to enforce and then remove from the premises. Drunks were falling all over because they could barely walk but were driving home or in one case driving to another concert. I was glad they left to hear The Beach Boys so we could enjoy Courtney Barnett without them yelling and slurring at each other. In summary, I was not thrilled with the amount of alcohol on the hill.

Bathrooms, washrooms, cans, loos; whatever you want to call them, there were not enough of them, and they were very poorly maintained. For example, all of the portable potties ran out of toilet paper and ladies were running around trying to find a volunteer to fix this. One gracious lady donated a box of tissue paper to save a few of them from despair. And they were dirty and full of crap, literally. They need to be cleaned, emptied and maintained much better than they were this weekend, it was a disgrace. The permanent washrooms were not much better, and there were not enough. Why is this such a hard concept for festivals to master, there are never enough bathrooms? Even the new Rogers Place received criticism for opening without enough bathroom space, especially for the ladies. I suggest doubling the amount that Interstellar had this year and using the gender-neutral approach, first come first served regardless of gender. Increasing the number and then cleaning and maintaining them would make for a lot more happy festival attendees. It would also make sense based on the number of beers the patrons were pounding back, that liquid all has to go someplace.

Another thing that I think would make the festival better involves the pathways. I suggest covering all the grass pathways with a generous covering of wood-chips. Wood-chips will keep them safer for walking on, or walkable in general since after the rain there was a lot of slipping and sliding. Wood-chip pathways will also clearly show where a path is, so people do not start setting up camp on the space allotted for walking, which I observed more than once. Wood-chip is also easy to clean up after the festival with an industrial vacuum, plus the lawn under it will be in better condition for the pleasure of the next event to be staged there.

The volunteers deserve a huge shout out; they went above and beyond. Their hard work and dedication go a long way towards making this a successful festival. Thank you to every one of them.

The queue was mostly observed and respected. I tend to lean towards the British system where cutting in line is tantamount to a crime against humanity and saving a place in line should only happen under exceptional circumstances such as the driver trying to find a parking spot for a person who is unable to walk long distances. Saving a place for your friend who is just too lazy to arrive on time does not qualify, go to the back of the line. I will make an exemption for the occasional family member but not for the whole Brady Bunch showing up late, go to the end of the line.

Smokers were few and far between which was a pleasure. I only witnessed one selfish person smoking in the queue and one smoking off behind a tree, like that made it more acceptable. I didn’t notice anyone smoking in the festival grounds but did get one whiff of wacky tabacky that was very brief, so I appreciate people adhering to the no-smoking rule that applies to any and every type of inhaling of noxious substances. Thank you for not smoking, anything.

Ford Pier was the master of ceremonies, and he did an excellent job of it. I hope he comes back and I hope the m.c.’s of some other events take notes from watching him, their lack of talent for being an m.c. can only go so far. I enjoyed watching Ford rock out to some of the music, clearly moved by what he was hearing. Rock on Ford.

In conclusion, it was a stellar Interstellar music festival. I enjoyed the music and that far outshone the flaws. Thank you Interstellar Rodeo for making me a happy cowboy.