B-52’s to The Beach Boys

It turned out that the letter ‘B’ would need smaller parts; the whole package would be too large and cumbersome. So here we go.

The B-52’s first release was their eponymous and, in my opinion, best offering. A flood of good memories came flooding as I listened to this oft-played album—memories of going round and round at the roller skating rink as Rock Lobster blasted out of the speakers. I don’t know who the DJ was, but they knew how to pick good songs.

Bachman Turner Overdrive. I was 18 and had a good-paying job, and a car that I installed a cassette deck in and a frequently played cruiser album was this eponymous offering from BTO.

The other album I have from them is 4 Wheel Drive; while it is a good album, it doesn’t carry the power or the memories that cling to the first album.

Joan Baez. An iconic name in the folk music canon. I don’t have much of her music, just her self-titled album and Joan Baez Vol. 2. I respect her for her contribution to music, and these were two pleasant albums.

Caroll Baker’s 20 Country Classics is next in line. I don’t remember how I came to acquire this album. It’s not a bad album, and it’s just not that good either. She made a small splash in Canadian and western music charts and then faded away.

Long John Baldry


It Ain’t Easy. I should have good memories of this album, but they are fuzzy because I was dead drunk by the time Long John Baldry started his set and not much better by the end. I still enjoy listening to this album and kicking myself for not keeping the original copy and the signed cover that I staggered out with at the end of his show.

Baldry’s Out is a good album, but it is not the same as It Ain’t Easy. This album shows how he didn’t stay in a rut with a sound that didn’t change. He was willing to shake it up and move on with fresh material.

Long John Baldry is yet another good listen but not the same as the other two. Many roads lead to the nirvana of music, and these three show three different and enjoyable ways.

I need to be in a certain mood to listen to Bobby Bare. I vacillate between hating his music and loving every note,I don’t know why but it’s true. I was in a good mood when I heard Bobby Bare on “This I Believe” and “This is Bobby Bare.” “This I Believe” is a gospelish album, not a preachy album, and it is a decent listen as a collection of feel-good music. “This Is Bobby Bare” is a double album best of offering and a good collection of music that showcases his talent. I enjoyed both of these records.

Syd Barrett. The Madcap Laughs. This album was released the same year as Dark Side of the Moon, and that is where the comparison stops. This album sounds very similar to the early Pink Floyd albums. No surprise there, right. I hadn’t listened to this album recently, so it was a pleasant time listening. That is surprisingly good, considering how messed up he was considered by many. Roger Waters and David Gilmour contributed to this record, making it all the more interesting in that it is a Syd Barrett album, not a Pink Floyd album. Or, at the very least, not a contemporary Pink Floyd album. As I stated before, this record certainly has the heritage of early Pink Floyd releases that Syd Barrett was a driving force and a principal player.

Barrett is the next Syd album, but it doesn’t grab hold of me in the same way that The Madcap Laughs did. It is still a good album, although it has a different flavour. David Gilmour contributed to this album as well as Richard Wright. The keyboards of Richard Wright are the high point on this album for me, delicious playing.

An Introduction To Syd Barrett. This album features a series of new remasters and remixes, all overseen by Pink Floyd’s David Gilmour. The cover art, featuring various images relating to songs contained within the album, was designed and created by long-term Pink Floyd conceptual artist Storm Thorgerson. An Introduction To Syd Barrett was a good overview of his work, and the remixes were splendid.

The Beach Boys
I have three albums from the Beach Boys, “Wow! Great Concert, “Endless Summer” and “1962-1965.” Although I am not a massive fan of them, they can still entertain me. I was fortunate to have seen them live; they are masters of working a crowd with their repertoire.

There we go, part one of the letter B. Stay tuned for part two.

VONAMOR will Take Your Heart

I’m not big on posting singles. I prefer albums. However, this one caught my ear, so I thought I would pop this short note and share it with you. It is Take Your Heart by the band VONAMOR.
I look forward to the album’s release in February 2022 and posting proper post at that time. Thanks for listening.


‘Take Your Heart’ on Spotify https://open.spotify.com/track/1Z1PVhoEKKebDJ6ZpOdwLm
‘Take Your Heart’ elsewhere https://linktr.ee/vonamor_band
Album pre-order https://timetokillrecords.bigcartel.com/product/vonamor
Spotify https://open.spotify.com/artist/4wJiz8P8rtW1vIjem5Hmsy
YouTube https://www.youtube.com/watch?v=9wFRAIUiBGU
‘Never Betray Us’ https://youtu.be/Ll7nO0cXI_A
‘Fast-Forward Girl’ https://youtu.be/kJX7Uujc9E4
Italian band biography https://www.vonamor.it

Illuminating a Revolution that is Above Disorder

Postpunk / nugaze / electro artist Revolution Above Disorder presents his debut offering ‘Illuminate,’ a 3-track offering produced, mixed and mastered at Jacknife Sound by Jason Corbett of ACTORS. A melting pot of postpunk, psychedelic rock and electronic music underpinned by raw, sincere vocals, guitar-based rock augmented by synths, drum machines and heavily treated instrumentation with a spine of pure melody.

Revolution Above Disorder is Dubliner Stephen Nicholas White, who is currently based in Vancouver. Revolution Above Disorder’s music is electronic-tinged postpunk with raw, honest lyrics driving the songs.

Illuminate‘ is the song that kickstarted Revolution Above Disorder. When the COVID-19 pandemic hit, I’d just come off a European tour with Magic Shoppe, and I found myself having to cancel scheduled plans with The Orange Kyte. In my downtime, I began to reevaluate where I was headed musically, and I realized I’d become dissatisfied with what I’d been doing. As I searched through old demos from the past, some going back over a decade, I was excited to hear songs with real potential that either I’d abandoned or just plain forgotten about. I grew interested in the idea of this modern-day version of myself collaborating with my chaotic and directionless former self. I wanted to finish what I’d started many years prior. ‘Illuminate‘ was the first one I needed to record,” says Stephen Nicholas White.

The original version of Illuminate is a powerful and euphoric postpunk/shoegaze single rooted in new wave and electro rock’ Shannon Hemmett and Kendall Wooding on backing vocals, bandmate Adam Fink on drums, and Josiah Webb of Magic Shoppe on guitar. The original version is a powerful and euphoric postpunk/shoegaze single rooted in new wave and electro-rock. The accompanying video was directed and edited by Eliot Galán of Galán Films, a key creative in Vancouver’s film & tv industry, starring Analissa Longoria and Mat Durie.

This release also features the more dance-oriented ‘Illuminate (Delta Omega Remix),’ produced by Delta Omega, a.k.a. Dublin-based Conor Paxton. “The formidable sonic wizard that is Mr. Conor Paxton AKA Delta Omega is a long-time friend and musical collaborator of mine. After initially bonding over a mutual love of Death in VegasMy Bloody Valentine and Primal Scream, we formed House of Dolls and duly embarked on many gloriously heady adventures and misadventures across Ireland, the UK and Europe,” says Stephen Nicholas White.

“This remix he has done for ‘Illuminate’ is indicative of just how well he understands the essence of what I’m doing with Revolution Above Disorder. Coming at it with a dreamy, psychedelic sensibility, it calls to mind peak Ecstasy-driven New Order, early seventies Germany, all filtered through an Eno-Esque ambient shoegaze lens. I fucking love it. And I think you will too.”

As of October 22, the ‘Illuminate’ maxi-single was released digitally everywhere, including Apple Music, Spotify and directly from the artist via Bandcamp.

Keep up with Revolution Above Disorder

Facebook | Bandcamp | Instagram | Twitter | Soundcloud | YouTube | Press contact

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Memory Box

On November 17, London-based synthpop artist Rodney Cromwell will release two remixes of his new ‘Memory Box’ single via Happy Robots Records with distribution by Cargo Records. Presented as a 4-track offering together with the original version and the ambient track ”Memory Stops’. Features remixes by MOOD TAEG (Düsseldorf / Shanghai) & UK synthwavers AUW

‘Memory Box’  https://youtu.be/aY1Uza7pz8M  

Spotify https://open.spotify.com/album/6t05EvrYYzpd4AhHinhNPf 

Bandcamp https://rodneycromwell.bandcamp.com/album/memory-box-single 

Rodney Cromwell curated playlisthttps://open.spotify.com/playlist/1o40AoFq36g3VjKjmautGM

‘Fax Machine Breakup’ https://youtu.be/kNBW651pGXE 

‘Comrades’ https://youtu.be/CmRBkZYyo_Q 

‘Black Dog’ https://youtu.be/0RRYNKdSWCw 

‘Barry Was An Arms Dealer’ https://youtu.be/l8jfuc20QQ4 

Anthony OKs

There’s nothing worth reading on this page except the links to this amazing new recording:

Anthony OKS – In The Garden (EP)

I lost count of how many times I listened to this. I can’t write anything to describe it with grace and accuracy, you just have to hear it for yourself. I am going to sip on a coffee and listen to it again while you do the same, hopefully.

Anthony OKS – In The Garden (EP)

PRONUNCIATION:
Anthony Oh-Kay-Ess
ANTHONY OKS ONLINE:
INSTAGRAM: @anthonyoks
TWITTER: @AnthonyOKSmusic
FACEBOOK: @AnthonyOKSMusic
WEBSITE: anthonyoks.ca
PUBLICITY CONTACT:
Trevor Murphy | trevor@trevormurphy.ca

Anthony OKS – In The Garden (EP)

https://soundcloud.com/anthonyoks/sets/in-the-garden-1

D I S C O V E R:

www.instagram.com/anthonyoks

www.twitter.com/AnthonyOKSmusic

www.facebook.com/AnthonyOKSMusic

www.anthonyoks.ca

For press enquiries, please contact james@mysticsons.com

Albert The Painter

Irish underground music icons DAVID LONG and SHANE O’NEILL present their new video for ‘Albert The Painter’, a beautiful song based on Hermann Hesse‘s short story ‘The Painter’ about a refugee who prefers to walk the roads alone, gaining inspiration for his creations. In this video, the film footage (now colourised), filmed in Ireland at the turn of last century, blend’s with Hesse’s own artwork.

The duo’s debut album ‘Moll & Zeis’, includes 11 gorgeous offerings from these legacy artists. Having fronted successful 1980’s post-punk / indie rock bands INTO PARADISE and BLUE IN HEAVEN, it’s great to see them still creating genuinely invigorating new music. With such a legacy behind them and having put out both this stunning long-player and 2 gorgeous EPs shortly before that (my absolute favourite releases of 2021) – all eyes (and ears) should be on these first-rate artists.

‘Albert The Painter’ https://youtu.be/XiII4za2htE 
‘Moll & Zeis’ LP https://davidlong4.bandcamp.com/album/moll-zeis 
Spotify https://open.spotify.com/album/5J99pn4sfP9ywxQyIWi9iR 
‘Moll & Zeis’ single https://youtu.be/mhKqtu4YyCU 
‘Earth Moves’ https://youtu.be/emFlXb8zgAY 
‘Dreams Come’ https://youtu.be/FQBxiZj8Ti4 
‘Far From Home’ https://youtu.be/nGfnDNGS3dE 
‘Dreams Come’ EP https://davidlong4.bandcamp.com/album/dreams-come-3-track-single
‘Far From Home’ EP https://davidlong4.bandcamp.com/album/far-from-home-3-track-single 

The Brothers Steve

Big Stir Records is thrilled to announce the October 15 release of DOSE, the new album from THE BROTHERS STEVE, on CD and all digital platforms. Featuring the new single and focus track “Next Aquarius”, the record is up for pre-order everywhere including www.bigstirrecords.com and www.bigstirrecords.bandcamp.com now.

The keenly- awaited follow up to the LA quintet’s acclaimed 2019 debut #1, DOSE ofers up 10 new songs which take the band’s invigorating punk-pop sound in exciting new directions, folding in elements of psychedelia, glam rock, and even fourishes of chamber pop while retaining all of the energy and charisma that made THE BROTHERS STEVE such an instant favorite on the global pop scene.Bristling with the trippy energy its title suggests, the new set was written and recorded by frontmen and singer-guitarists OS TYLER and JEFF WHALEN and is fueled by the chemistry of the live band: drummer COULTER (aka author S.W. Lauden) and bassist JEFF SOLOMON (Whalen’s longtime bandmates from the beloved LA pop-rock combo TSAR) and guitarist DYLAN CHAMPION.

Tracked and mixed at a secret LA recording studio, DOSE simultaneously captures the band’s irresistible live energy while pushing their gleeful aesthetic into fascinating new territory.It’s an album of twists and turns and surprises, delights and deception: lead track “Get On Up” opens with an almost lullaby-like acapella harmony passage before exploding into a boisterous, supercharged call to arms for creatures of the night. The closing “Better Get Ready To Go” is cut from the same glam-anthemic cloth, taking unbridled joy in exhorting the listener to “get it on, squeaky Kong,” and “Just put Geppetto to the meadow and let’s get out of here,” it’s emblematic of a record that revels unironically in the fundamental absurdity of rock and roll. “We’re saying things that may seem to make no sense at all, but we’re sincerely convinced of them!” enthuses Whalen.

Playful surrealism and quirky character sketches give the record its shape. Take the Zombies-infected “Mrs. Rosenbaum” (she’s defnitely dead, and maybe a witch), the bubblegum sweetness of “Sugarfoot” (nominally inspired by the frontman of The Ohio Players, of all bands), and the exhilarating boogie “Wizard of Love” (he makes you feel like you’re the passionate one). “It’s heady like a bolt from above” goes one line, and so is much of DOSE, including the driving, post-punky celebration of “Electro-Love” and the ridiculously catchy single “Next Aquarius”: it’s equal parts psychedelic shimmer, punk-rock sneer and pure pop perfection.There’s mystery in the grooves, too, and that’s where the new record adds texture to the winning formula of #1. The urgent “Grifth Observatory” has all the charge of the best tracks on the debut, overlaid with a layer of old Hollywood intrigue (it’s inspired by the Barbara Streisand A Star Is Born among other infuences, Whalen discloses). There’s the fascinating “She Will Wait,” wherein Tyler and Whalen tell two sides of the tale at the same time, with tender interlocking counterpart harmonies; the “she” of the title may or may not be time itself.Perhaps most evocative of all is the soaring “Love Of Kings” with its impassioned fairy tale imagery… although Tyler specifes that the narrative takes place 122 years in the future. “There’s a collective mythology here, maybe a sort of future-retro-neo-noir thing” says Tyler, “but it’s fundamentally about sonic delight, a luxurious soundscape.” Whalen adds that the songs “evoke like an MF… like a T-Rex song, the imagery might mean diferent things to diferent people, but you can tell how excited we are about making the listener feel it along with us.”Ultimately it’s the hooks, harmonies and instrumental interplay that make DOSE such an intoxicating experience. There’s a leap forward in sophistication and nuance, but the album is just as much of a giddy ride as #1 and just as likely to top year-end “Best Album” lists and indie radio charts worldwide. DOSE is in fact just what the doctor ordered for a world awash in pandemic-era bedroom recordings: a real band fring at the height of their considerable powers, charting new ground and having palpable fun doing it. THE BROTHERS STEVE made a promise with their debut: “We Got The Hits.” Here are ten more of them.
https://orcd.co/thebrotherssteve-dose
BIG STIR RECORDS2140 N. Hollywood Way #6607, Burbank CA 91505 bigstrrecords@gmail.com
rexbroome@gmail.comwww.bigstrrecords.com

Persian Leaps / Drone Etiquette

The Persian Leaps present their new album Drone Etiquette, released via Land Ski Records. Firmly established on a magnetic alternative rock foundation, the latest musical output continues The Persian Leaps‘ tradition of producing power-pop earworms with midwestern charm and an inherent element of 90s’ college rock’.

Hailing from St.Paul, Minneapolis, The Persian Leaps have gone through various lineups but have always revolved around the principal songwriter, vocalist and guitarist, Drew Forsberg. “The title Drone Etiquette came from an article about the dos and don’ts of flying remote-controlled drones. However, “drone etiquette” could also describe the rules that we mindless worker drones follow in our daily lives. The cover art, which was inspired by Soviet propaganda posters, evokes our enthusiastic lockstep march towards a meaningless existence.”

“This EP was an especially difficult one to record and finish. Because of the pandemic, I was forced to abandon a lot of the comfortable processes I’ve used for years. The friends I collaborate with for recording and performances weren’t available in person because of health issues, so I tried a new approach. This time around, I recorded at a different studio and performed all the parts on the EP myself. I also got directly involved in editing the tracks for the first time, which took longer. Ultimately, though, I’m very happy with how the songs turned out. The EP doesn’t address the pandemic at all, but it’s very much a by-product of lockdown and what we all endured,” says Drew Forsberg.

The band name The Persian Leaps came to Forsberg in college while daydreaming during Greek Archaeology class. Writing solo music under that name for years, he finally assembled a band in 2012, releasing an EP every autumn until 2017. NME Magazine described their debut Praise Elephants EP (2013) as “celestial guitar jangle.” Their music has been widely praised, from their sophomore Drive Drive Delay EP in 2014 to their fifth Bicycle Face EP. Delivering one perfect power pop cocktail after another, they eventually released their 18-track Pop That Goes Crunch anthology in 2018.

The year 2018 saw The Persian Leaps return to their roots as a studio project, releasing Electrical Living in 2019 and the Smiling Lessons EP in 2020 in collaboration with Jon Hunt, a musician and graphic designer. He did the cover artwork for most of the band’s releases to date. During the 2020-2021 pandemic, Forsberg recorded the Drone Etiquette EP as a solo effort, primarily due to lockdown limitations.

On October 1, Land Ski Music (BMI) is pleased to announce the release of Drone Etiquette on CD and online platforms, including Apple MusicSpotify and Bandcamp.

Order the album https://thepersianleaps.hearnow.com/drone-etiquette 
Bandcamp
 https://thepersianleaps.bandcamp.com/album/drone-etiquette 
‘Your Loss’ https://youtu.be/pITGjmTLqsE 
Soundcloud https://soundcloud.com/persianleaps/when-this-gets-out 
Spotify https://open.spotify.com/artist/4a6iMxN2rO3QmksgsepyHM 

CREDITS

Written and performed by Drew Forsberg

Drew Forsberg – Vocals, guitars, keyboards, bass, drum programming

Recorded by August Ogren, The Terrarium

Mixed by Neil Weir, Blue Bell Knoll

Mastered by Bruce Templeton

Microphonic Mastering

Cover art by Jon Hunt

All Songs Land Ski Music (BMI)

(c) 2021 All Rights Reserved

Keep up with The Persian Leaps

Website | Bandcamp | Facebook | Twitter | Soundcloud | Instagram | YouTube | Apple Music | Spotify | Press contact

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Amateur Radio

I had never listened to Pas Musique until the press kit for their album Amateur Radio landed in my inbox. I listened to it while I worked on a diorama that I was creating. The album sounded good. It actually caused me to pause at numerous points in the album to shift my focus to the music. The diorama teaches me the beauty of patience.

I often check out a band’s back catalogue, so I get a feel of where they are coming from and how they have grown and matured, although that seems to be an option for too many artists. Apple Music only had four Pas Musique albums, including Amateur Radio. Bandcamp had 29, I don’t have the drive to listen to all of their catalogue, so I focused on just this one, Amateur Radio.

Where to begin is a tough call on this recording. This band of musical talent hail from Brooklyn, and I think I’ll start with a video. A trippy audio-visual treat that featured the fourth track from the recording, ‘Ancient Scottish Legend.’ The video has a jerky camera effect frequently used in harrowing movie scenes. Add a grainy, dark quality, and we have the video that sets the stage for the album.

The track before this, number three by my reckoning, is It’s a Rainy Day, Sunshine Girl. This track is a cover of a song by Faust featured on their album So Far, the track was initially conceived in 2019 for the ‘KRAUT! Covered’ compilation curated by WFMU’s DJ Scott Williams. It is worth mentioning that Jeanne-Marie Varain, artist and daughter of Jean-Herve Peron of FAUST, also collaborated on the song, It’s a Rainy Day, Sunshine Girl.

So we have a framework that should give us an idea of where Pas Musique is coming from and a glimmer of where they are going. Both of the tracks mentioned above are over six minutes of listening time, typical for Pas Musique. These guys know how to grab a riff and work it over with their synthesized enhanced musique concrète.

Charlies Lament is the opening track, where they build a groove keep its momentum working through the rarefied air of six unique songs that clock out at 41 minutes total for the album. There are layers and layers of sound, and I am thrilled to find new gems with each listen, so excuse me please, I have to go and listen to Amateur Radio again.

Be sure to check out their merch at https://www.pasmusique.net/releasesstore.html

As of September 15, ‘Don Cheadle Superhero’ will be available via Bandcamp. On October 1, the ‘Amateur Radio’ LP will be released everywhere, including  Spotify and Apple Music. It can be pre-ordered on limited-edition white vinyl or a digital download at https://alrealonmusique.bandcamp.com.

Keep up with Pas Musique
Website | Bandcamp | Facebook | Soundcloud | Twitter | YouTube | Spotify | Apple Music | Press contact

Keep up with Alrealon Musique
Website | Bandcamp | Facebook | Twitter | Soundcloud | YouTube | Discogs

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‘Ladies’ Night’ and ‘Caryatid’

I will be posting just a short note today for the Singapore-France duo Cravism x Maya Diegel. They have released their ‘Caryatid’ and ‘Ladies’ Night’ singles via Komplex Recordings with a video that features both songs.

The two singles are in a stunning video mix blending created by Arthur Etienne and Thibaut Vega. Several weeks ago, the duo released the first single, ‘It’s Okay,’ with soulful and jazzy textures laid over lush, mellow jazz hip hop beats, transporting the listener into a chilled relaxing realm.

Out in full on October 22, the ‘Caryatid EP‘ project entails a staggered release of a track every three weeks with accompanying films, in addition to a series of online live performances of these compositions.

Enjoy, I will be back with another installment in three weeks.

‘Ladies Night / Caryatid’ https://youtu.be/s6k243RDd5k 

Spotify https://open.spotify.com/album/7J67cxKmyEgwrzbBZpmDn2 

‘It’s Okay’ official video https://youtu.be/mKjdYXIszYw   

‘It’s Okay’ live in studio https://youtu.be/YVYBFly7iT4   

Spotify https://open.spotify.com/album/64JjV5za2m5rDDg0YZiqLE 

Apple Music https://music.apple.com/ca/album/its-okay-single/1578534166