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About normanweatheredmusic

I listen to music.

The Insecurities of Summer Heart

Insecurities is the title of the new EP from the Swedish musician who goes by the moniker of Summer Heart. My brain keeps telling me to type Summer Heat because we had a hot, dry summer in my pin drop on Google Maps.

So, let us dive into what I hear happening in the music and lyrics of this EP which follows on the heels of his late 2020 EP Ambitions, which received a favourable review from WeatheredMusic, https://weatheredmusic.ca/2020/11/13/a-summer-heart-with-ambitions/

The opening track of the EP is also the title track, Insecurities, and it introduces us to the narrator. He is running away from something. In some form of transportation in which he is playing the radio too loud. Possibly in an attempt to overrun the memories on loop in his brain. Memories have taken him 90 miles or 144 kilometres to a lake where he has some pleasant memories of what used to be.

Back to the present and we learn that the author is very insecure and can’t make any sense of what his world has become. The song ends with him crashing into the car of the person that he is obsessed with and cutting down the flowers that that person loved. A violent end to a journey of discovery. A journey in search of meaning for the life that he has left for living.

The song Inside Out gets real for the author of the piece. He tells us this.

“I have a tendency to 

say I’m getting better

but really I’m a quitter

quitting under pressure”

It takes intestinal fortitude to admit out falts. Step 4 of the 12 step program tells us to make a searching and fearless moral inventory. Saying that he is a quitter is a small step, but an important one, towards a complete inventory.

Next up, the centrepiece of this EP is the song Wash You Off, another small step towards that inventory with the confession that he struggles with being prideful. Unfortunately, that is a short-lived victory. The ink is barely dry on that page before he dives back into wobbling between telling his lover that the affair is over and then saying that he doesn’t “wanna stop.” He ends the song by throwing the responsibility to her when he is confused and messed up, not her. You gotta own it, bro.

I’m not sure, but song four, Clean, could work as an anthem to an addiction treatment plan.

“I can keep it clean.”

Alternatively, it comes off as the plaintive cry of a broken man.

“nothing kinda turned out as I planned.” Man up because “Life is what happens to you while you are making other plans.”

The EP closes with the song Too Many Miles, which has some good confessional or step 4 material. 

“We don’t talk anymore.”

“I’ve been running way too many miles.”

“I’ve been fighting way too many fights.”

Unfortunately, he then starts to tentatively say that he “kind of wanna start over again.”

At the start of the last refrain of the song Too Many Miles, the author states they “don’t fight anymore.” A wise person once told me that if a couple isn’t fighting, they aren’t communicating. They let everything bottle up inside, which usually leads to an explosion of messy results. So, if you don’t even fight anymore, I kind of think this event is over.

“You swipe right like a sport.” Now ring the final bell.

I enjoyed this adventure in music, but I think it just falls short of its full potential. Put some edge on those synths. Don’t pull the punches. Put some darkness in there, make the vocals cry, shout and even wail when appropriate. Let us, the listeners, really hear the pain. All I hear now are some lovely songs. These lyrics demand more than pleasant. They need some real emotion thrown in.

Take a look at the photo below. Is this man bubbling over with sweet happy thoughts?

No. He is pensive. He looks confused. Perhaps a bit lonely. Pained perhaps but not bubbling over with happiness and I think the music and vocal delivery should support this photo with all the emotional rawness that it projects.

Exemplary musicianship and good storytelling for this EP, I give it a thumbs up and anticipate more from Summer Heart. The potential is there for more excellent music from this emerging artist.

Summer Heart’s new EP ‘Insecurities’ is out on the 3rd September via Icons Creating Evil Art.

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Weather Vane

Ireland’s Emperor of Ice Cream has released their new ‘Weather Vane’ single via FIFA Records. Moods, motives and expectations can sometimes make us feel like we are caught up in a tornado of emotions when a relationship hits a rocky patch. This song about the hope that remains even when things are falling apart.

Mixed and produced by Graham Finn, this single was mastered by Tom Volpicelli (The Who, Iggy Pop, The Alarm, Pat Benatar, The Bloodhound Gang) at The Mastering House in New Jersey.

They have also done a second vinyl pressing of their debut album ‘No Sound Ever Dies’ LP, which had sold out but is now available on white vinyl, CD, cassette and digital download. It will ship out August 27, the day before its first birthday.

Garnering a new legion of supporters around the globe, renewed demand for the band’s back catalogue resulted in the release of a compilation album of their three early Sony-backed EPs (‘Overflow’, ‘William’ and ‘Know Me’), having sold out in the pre-digital 90’s. Reaching number 21 in the official album charts, the album also rose to number 3 in the independent charts. While the limited-edition physical copies were sold out on release day, it is still available as a digital download.

Since re-emerging on the scene in May 2020, Emperor of Ice Cream have embarked on a chapter few anticipated would be written. Their debut record’s first anniversary is marked by a second pressing on vinyl and CD. Entering the official Irish album charts at number 35, the LP topped the independent charts and was among the top 20 best-selling Irish releases of 2020.

‘Weather Vane’ is out now on SpotifyApple Music and Bandcamp, where the second pressing of ‘No Sound Ever Dies’ LP is also available.

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Garnering a new legion of supporters around the globe, renewed demand for the band’s back catalogue resulted in the release of a compilation album of their three early Sony-backed EPs (‘Overflow’, ‘William’ and ‘Know Me’), having sold out in the pre-digital 90’s. Reaching number 21 in the official album charts, the album also rose to number 3 in the independent charts. While the limited-edition physical copies were sold out on release day, it is still available as a digital download.

‘Weather Vane’ is out now on SpotifyApple Music and Bandcamp, where the second pressing of ‘No Sound Ever Dies’ LP is also available.

It’s Okay

It’s okay that I am doing a short shoutout about this single, It’s Okay, by Cravism and Maya Diegel. The single is an excellent little package that only hints at what is to come. What is to come is a single released every three weeks and culminating the release of the Caryatid EP, which will celebrate all the singles coming together and forming an EP bigger than the sum of each part.

Exciting, right! I am marking my calendar for each release date and then on the big reveal of the EP on October 22, 2021, via UK-French label Komplex Recordings.

‘It’s Okay’ video https://youtu.be/LXdhRxMLeuQ 
Spotify https://open.spotify.com/artist/3hzkGIJ8l5mkn2L7XhSCxW 
Apple Musichttps://music.apple.com/ca/artist/cravism/1306853326 

I will do a more substantial write-up on that day, but a few introductory remarks will suffice for now.

Hailing from Paris and initially trained as a jazz singer, Maya Diegel‘s trajectory would take a big turn upon meeting Singaporean producer Cravism several years ago in Cornwall after his performance at the local university, Maya fell in love with Cravism’s set and sought to collaborate. Impressed by Maya’s capacity for writing high-level melodies, harmonies and lyrics, their fateful meeting ultimately brought the 2019 release of their first collaborative album ‘Vibes, vol. 2’, which resulted in ample playlisting and radio interviews and ultimately secured them a record deal with Komplex Recordings. I recommend ‘Vibes, vol. 2’, it is a lovely listening experience.

Back to the present, as of August 20, Its’s Okay became available via online stores such as Apple Music and Spotify. Accompanied by a film by Parisien video director Stewart Livinec, this is the first taste of their sophomore project ‘Caryatid EP’, entailing a series of songs and films. With smooth jazz textures laid over lush mellow jazz hip hop beats, the listener is transported into a chilled relaxing realm.

Dive into this music, enjoy the video, and join me looking forward to the next track being released.

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When This Gets Out

When this gets out, you will have some fantastic music for your listening pleasure. When This Gets Out is the lead single from The Persian Leaps new recording Drone Etiquette, a 6-track recording arriving on October 1 via Land Ski Records. I had a nice trip down memory lane while listening to When This Gets Out, it was an enchanting journey. It triggered memories of music that came and went many moons ago. I won’t bother you with a long boring reading list, but trust me, this hit excited neurons that had been dormant for years.

From the distorted guitar that opens, When This Gets Out, the music is catchy and mesmerizing. Drew Forsberg, the face of The Persian Leaps, has crafted a master class of music that weaves down the lane with images of days gone past. From the jangling guitar sound of the ’60s to the distortion of the post-punk bands of the ’90s. This album has it all. Plenty of top ten to satisfy anyone’s taste.

Lyrics? You bet. There are downright intelligent lyrics. I’ll let Drew Forsberg tell you about them:

“Each week, it seemed there was a new Trump-related scandal that by rights should have sunk him. However, instead of consequences, the scandal would be eclipsed the next week by something even more appalling. After a while, people didn’t even bother to pay attention. ‘When This Gets Out‘ imagines something big enough to cut through the apathy, alienate the enablers and apologists, and finally make a difference. Also, starting the EP with the song seemed very appropriate. “When this gets out, the shit will hit the fans.”

‘When This Gets Out’ will be available today, August 19, 2021, exclusively via Bandcamp. On October 1, the full ‘Drone Etiquette‘ album will be released on CD and online platforms, including Apple Music and Spotify. It is already available for pre-order via Bandcamp. I will do a complete album review On or about October 1 if the good lord is willing and the creek don’t rise.

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Three for the Weekend

The weekend is here, and so are some new sounds to check out.

LISA GERRARD & JULES MAXWELL of DEAD CAN DANCE are back for a new audio-visual trip with ‘Keson (Until My Strength Returns).’ Gerrard explains, “Keson implores us to live in our dreams and befriend our soul.” Produced by James Chapman (MAPS), the entire ‘Burn’ LP is euphoric and compelling, more inventive than what they had worked on separately in the past. Each track builds and intensifies, creating a hypnotic experience to listen to from start to finish.

‘Keson (Until My Strength Returns’ https://youtu.be/HiKT2sbjBq0

‘Orion (The Weary Huntsman)’ https://youtu.be/tNBRC2bXcBo 

‘Heleali (The Sea Will Rise)’ https://youtu.be/HHAUc9D9-Jk

‘Aldavyeem (A Time To Dance)’ https://youtu.be/fTID-V4dY-o

‘Deshta (Forever)’ https://youtu.be/ho6bnBWW5pk

‘Noyalain (Burn)’ https://youtu.be/13HWFBUOIWU

Lisa Gerrard and Jules Maxwell in Conversation https://youtu.be/hmc5L1dUKIc

‘Burn’ LP order https://orcd.co/lisajulesburn

Apple Music https://music.apple.com/ca/album/burn/1549003458

Spotify https://open.spotify.com/album/3JMskHl0z6g1QUKsDTPQvy

‘Oh, Ballerina’ by TRAITRS, one of the dark music scene’s fastest rising indie artists, previews their ‘Horses In The Abattoir’ LP. Also, enjoy their art-house thriller-inspired video. https://www.youtube.com/watch?v=59Sw-xW2YJ4

Produced with JOSH KORODY (F*cked Up, Japandroids)and mastered by PETE MAHER (U2, Nick Cave, Depeche Mode, NIN, Prince)The Spill Magazine call this “an impeccable mélange of alternative dark pop and catchy goth-laced retro-futuristic soundscapes.”

As of August 13, ‘Oh, Ballerina’ will be available digitally everywhere, including Spotify and Apple Music. On November 19, the full-length ‘Horses In The Abattoir’ LP will be released on vinyl, CD and digitally. The LP can be ordered at https://orcd.co/horsesintheabattoir. 

Keep up with TRAITRS

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Dublin indie music icons DAVID LONG (INTO PARADISE) AND SHANE O’NEILL (BLUE IN HEAVEN) release the 3-track EP ‘Dreams Come’.Recommended for fans of early New Order, Echo and The Bunnymen, the Go-Betweens, The Sound Beck and Tom Petty. The Irish Times calls this “as even-handed a collaboration as they come… creative synergy that time hasn’t had the nerve to erase”

Irish music icons David Long and Shane O’Neill present their ‘Dreams Come’ EP. This 3-track offering arrives hot on the trail of their ‘Far From Home’ EP and video for the title track, which has garnered the duo excellent reviews and radio play in dozens of countries.

The title track features a sweet, uplifting melody intertwined with bittersweet lyrics – a seeming nod to a love that could be fraying at the edges. From the beautiful opening chords right through to the end, it will make you feel like you want more of whatever it is. Love, loss, hope, all of it, whatever it is.

‘Dreams Come’ https://youtu.be/FQBxiZj8Ti4 

Bandcamp https://davidlong4.bandcamp.com/album/dreams-come-3-track-single

‘Far From Home’  https://youtu.be/nGfnDNGS3dE 

Bandcamp https://davidlong4.bandcamp.com/album/far-from-home-3-track-single 

Spotify https://open.spotify.com/album/0jMTOqvfqigYXYlH5OpssZ 

Soundcloud https://soundcloud.com/shack9/sets/far-from-home-david-long-shane 

Happy listening everyone and play safe.

The Mystery Plan. Again.

Back in July, I listened to the album, You Also Have Eyes by The Mystery Plan, but I didn’t feel good about what I reported, so I revisited the album. I listened to it again, several times in fact, and ran the CD through my big speakers in the music room. I came away with a different perspective of what I heard, so I will do a do-over and write up my new experience with the album.

First observation: I listened to the CD that the boys in the band sent me. I like the physical medium. It’s a step back in time to the golden days of the records. I still enjoy listening to records, although all the other mediums, including CDs and streaming, have places, and I frequently visit them. I listened to 429 albums in 2020; 210 of them were vinyl records, 100 CDs, three cassettes and 166 steamed through various sources. So, yeah, I like listening to physical pieces of music, and I had a good experience listening to You Also Have Eyes by The Mystery Plan. Thank you for the CDs, Mystery Plan

From The Mystery Plan‘s Bandcamp page, I learned that you also have eyes is a compilation of songs from their last few albums, plus two new recordings. It was released July 16, 2021, so it is still relatively new.

The opening song, electric love, starts with a short ditty that evolves with an excellent deep bass playing with some gentle synths and a gentle voice floating over it all. At two minutes, give or take a few seconds, the vocal gets a bit stronger and takes a prominent spot with the bass faded down, but it doesn’t go away. Some percussion and synth join it. And then, the vocal gets very sensual. She sounds like she is enjoying whatever she is doing or what someone else is doing with her. The vocal gradually fades to a sound more like a breathing exercise, and the music takes a back seat with gentle synths and then ends.

Track two, the golden moon and the silvery sea, opens with some sweet bass lines, and then the whole band joins in. This song has some serious grooves, toe-tapping and head-bobbing music.

The Mystery Plan is: Amy Herring, Otis Hughes, Patty McLaughlin, Jefferson Chester, Jason Herring

Tracks 3 and 4 have gentle synths leading the way.

Track 5 is a bit faster-paced and revisits the sensual singing. 

Track 6 is silver lining and features Big Supreme on some mighty fine vocals. Straight-up hip hop and a stand-out song from where I am listening.

Track 7, wonder why is synth-pop in a good way.

Track 8, those stars, is a favourite of mine. It opens with some sweet bass and introduces a sax that takes us into a jazzed-up song, and I liked the references to looking at the stars. Jazz and celestial objects, you can’t go wrong with that combination, and  The Mystery Plan does not falter. This track is a solid 10 out of 10 stars and 7 minutes of glorious music.

There is some excellent production on this recording, such as playing with the spatial shape of the music. Track 9, always, is a perfect example of that, with the sound moving from left to right and then back. Some voices seem to float around the centre of the stage but feel that they are not upfront but a bit further back. Ten takes us a long way to heaven in what I would call pop-rock. It has an almost retro feel, like Strawberry Fields with Vangelis on synths and Jeff Beck on guitar. Weird things that people like me can imagine.

Track 10, wonder why, is remixed by Peter Anderson. More pop music. It is a song that I laid back and let my mind wander while I listened, good stuff.

11 is before you go more of the same synthpop that continues where track 10 left off—excellent percussion, especially at the end.

This most excellent album closes with weird things humans do. Gentle acoustic guitars with samples and synths that slowly build with some up-tempo, and then some discrete percussion and bass slip into the mix, and we close sixty minutes of a delightful album.

It is easy to get lost in this album, and it is a good listen that I recommend, 10 out of 10 stars.

p.s. The Mystery Plan do not like shifting for capital letters, their songs are shown in lower case as they appear in Bandcamp as well as on the CD liner.

Oh, Ballerina/Magdalene

Post-punk rising stars TRAITRS have announced they will release their long-player ‘Horses In The Abattoir’ this autumn via Freakwave, a Berlin-based label that is part of the Schubert Music Europe group, distributed by The Orchard. Ahead of that, the duo presents the single ‘Oh, Ballerina’.

Recorded by and produced with Josh Korody (F*cked Up, Japandroids, Dilly Dally, Beliefs, Nailbiter) at Candle Recording Studio, the new output was mastered by Pete Maher (U2, Nick Cave and the Bad Seeds, Depeche Mode, Nine Inch Nails, Prince, Linkin Park, Katy Perry).

Based in Toronto, TRAITRS was formed in 2015 by Sean-Patrick Nolan and Shawn Tucker. With a cinematic blend of post-punk, goth, alternative and post-rock, their emotive melodies, propulsive rhythms, angular guitars and dark cinematic electronics quickly led to the duo becoming one of the dark music scene’s fastest rising independent artists.

I like what I have heard from the Canuck band TRAITRS. As of August 13, ‘Oh, Ballerina’ will be available digitally everywhere, including Spotify and Apple Music. On November 19, the full-length ‘Horses In The Abattoir’ LP will be released on vinyl, CD and digitally. It can be ordered at https://orcd.co/horsesintheabattoir 

I will do a full review when the album drops on November 19, good stuff. I like what I hear.

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No Sound Ever Dies

I couldn’t resist writing a short post about these two tracks from the band name of the year award winners, Emperor of Ice Cream. The album title of the year also goes to Emperor of Ice Cream for the EP titled Weather Vane. We are on a roll here, so how about just giving them the award for indie band of the year.

High accolades for a band that I had never heard of before today, but all hype aside, I do like this release. This release is a bit out of the ordinary. It is a reissue of an album that the band Emperor of Ice Cream first released almost 30 years after forming. Their debut ‘No Sound Ever Dies’ LP is getting a second pressing on white vinyl, CD, cassette & digital download via Ireland’s FIFA RECORDS 25 years after they had split in the wake of a broken contract with Sony Records. Shipping out on August 27, the day before its first anniversary, this long-player was mastered by TOM VOLPICELLI.

It may have taken longer than initially anticipated for this music to reach us, almost 30 years later, but I think it is a job well done. Based in Cork, Waterford, New York and Amsterdam, respectively, Edward Butt (bass), John ‘Haggis’ Hegarty (vocals), Graham Finn (guitars) and Colum Young (drums) managed to assemble parts from home studios in Cork and Waterford. The final touches, edits, and mixes were completed in NY. “It’s an unusual way of doing things, but with the year that world has experienced collectively, not an uncommon one these days, unfortunately. It’s a strange task, to make music with people you haven’t been in the same room as for over two decades, but the challenge was a welcome one. Overseen by Graham from his New York abode, the drums were beautifully recorded in Amsterdam at IJland Studios by Remko Schouten, who has previously worked with Pavement, Stephen Malkamus & The Jicks and Devendra Bernhardt,” says John Haggis.

The new version of No Sound Ever Dies merges the raw energy from the band that started recording this album 25 years ago and the more mature but still sharp musicians that we hear today. There is a melting together of the old and the new that just plain works.

Emperor of Ice Cream has announced their new ‘Weather Vane’ single, set for release on August 24 via FIFA Records. Mixed and produced by Graham Finn, this single was mastered by Tom Volpicelli (The Who, Iggy Pop, The Alarm, Pat Benatar, The Bloodhound Gang) at The Mastering House in New Jersey.

At the same time, they present an audio-visual taster of the B-side ‘High Rise Low Rise’, a song about growing up amongst friends who the world sees only as misfits, oddballs and freaks. Nevertheless, the ideas and dreams that flow between these strange kids will change them all and the world around them forever. The accompanying video was written and directed by Veronica Terreblanche and reimagined by John Haggis with the director’s permission.

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‘You Still Mean Too Much To Me,’

Good day, all. I hope all is well in your world—just a short bump today for a new music video. The iconic post-punk band Pink Turns Blue has unveiled the video for ‘You Still Mean Too Much To Me,’ a beautiful film to their new single. Portraying figures who are utterly alone, reflective, and seeking an elusive connection, this video echoes themes of isolation felt during the process or working through grief over the loss of a loved one.

This past week, the band announced that their new album ‘Tainted’ will be released in autumn on limited edition vinyl, CD and digitally via Orden Records.

They also recently shared two enticing singles – ‘There Must Be So Much More’ and ‘So Why Not Save The World’.

‘You Still Mean Too Much To Me’ is now everywhere, including Apple Music and Spotify. Orden Records will release the ‘Tainted’ LP on September 24. It will be available digitally and in two physical formats – a CD with a 16-page booklet and black vinyl, strictly limited to 500 copies, with an 8-page booklet. Both can be pre-ordered exclusively via the band’s website.

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Escalator

The album art on the front sleeve of the new album by FLDPLN shows a young person on an escalator, presumably going down based upon the direction this young person is facing. The direction this album should be going in the charts is up. If you like some chill electro-pop, then this is the album for you.

FLDPLN (“field-plan”) is the solo project of Andrew Saks, the former frontman of Southern California shoegaze band Sway. This album was written, produced, recorded and mixed by Andrew Saks at his home studio in Phoenix, Arizona. FLDPLN is truly a one-man-band.

Escalator is really the result of my years of dabbling in electronic music production combined with my desire to reconnect with my roots, having been a saxophone player for most of my life,” Andrew tells us.

“For this album, I wanted to write songs that are true to the way I hear things in my head, dreamy, blurry, beautiful without compromise and incorporate the horn as a textural instrument as well as another melodic voice.”

I am on board with Andrew Saks; I like what I hear in my head when I listen to Escalator. It takes me away to a nice place where I can float along blissfully chilled out. Tasteful digital music samples are combined with layers of saxophone and synthesizers to paint a pleasant audio picture.

I have enjoyed putting this album on play and going about some of my regular everyday tasks. Escalator makes a great platform to build my day on. I can hear what Andrew Saks has to offer while taking care of some of the mundane activities of my life.

Escalator is available for your listening pleasure via the Sillas Famosas label through online music stores.

Keep up with FLDPLN 

http://www.fldpln.com

https://fldpln.bandcamp.com

http://www.instagram.com/fldpln

http://twitter.com/fldpln https://open.spotify.com/artist/363PaWGixHMsJ3coR4r7yK

https://music.apple.com/us/artist/fldpln/1358521213

FOR SHARING

Bandcamp https://fldpln.bandcamp.com/album/escalator

Order https://fldpln.bandcamp.com

YouTube https://youtu.be/Ze3yBEo47kM

Spotify https://open.spotify.com/album/3V7pKnC07ZqpGJQsyThsUu 

Soundcloud https://soundcloud.com/fldpln/escalator/s-2d12zarJxU8 

If you have any questions, contact Shauna from Shameless Promotion PR at contact@shamelesspromotionpr.com